Masayuki Mori
Masuda Toshio film starring Watari Tetsuya and Mori Masayuki, about a lone-wolf type (Watari) seeking love and defending the honor of an elderly widower (Mori).
Zatoichi is mentored by the blind leader of a secret organization as he contends with both the Yakuza and a jealous husband.
A young man leaves his widowed mother on her improverished farm and makes his career in the Japanese navy.
As Japan joins in a political pact with Nazi Germany and fascist Italy, Admiral Isoroku Yamamoto is appointed supreme commander of the Japanese fleet. With Japan headed inexorably toward war, Yamamoto, despite his misgivings, believes the only possible victory lies in destroying the American fleet by surprise at Pearl Harbor. The attack succeeds, but fails to sink the American carrier fleet. Thus Yamamoto must lead the Japanese navy into war with ever-diminishing likelihood of success.
Suspense drama about an assassin charged with breaking up a gold smuggling ring, and the contract subsequently purchased against him and his employer.
Kenichi Horie is determined to challenge his family, the law and the nature crossing the Pacific to America in a small sailboat. Despite his careful planning many unforeseen events will test his determination.
On the day of college graduation, Mieko (Sayuri Yoshinaga) stood on stage as the valedictorian for the Department of English. During her university years she made sure that she would always come out on top, and she did. With a victorious graduation behind her, she plans out the next chapter of her life: become a successful novelist and go out with a classmate she's been secretly eyeing for the past couple of years.
After a salary-man's fiancée attempts suicide, he recounts his gruesome family history, which sees generations of his ancestors sacrificing themselves for the sake of their cruel lords. hey were samurai, the military nobility caste who carried out acts of violence at the behest of feudal lords, but suffered evenmore so under their cruelty, often forced into ritual suicide (seppuku). The women were under constant threat of kidnapping and rape,and the men subjected to arbitrary disfigurement and homosexual slavery...
Shikiko Oba is nimble with her fingers and teaches dressmaking and designing. Among her pupils are Rinko, Katsumi and Tomie. Ginshiro, who is as shrewd as the shrewdest of the older generation of dyed-in-the-wool Osaka businessmen, steps into picture and Shikiko soon feels that he is indispensable to her. But the advent of a man in their midst breaks up the harmony that has existed among the four women, as gradually he forces himself on them with promises of love.
An employee at an oil cartel (Mihashi) is haunted by an act years before when he euthanized a fellow soldier when the two were adrift at sea during the Pacific War. Matters are complicated further when he falls in love with the soldier's younger sister (Tsukasa).
One night, three wives, Matsuyo, Keiko and Mari, receive a mysterious telephone call. The voice tells them that she has their husbands with her and invites them to " P " Hotel to see for themselves. They have been married for many years and are bored with their husbands, and are about to secretly carry on affairs with the other's mates.
A woman has to give up her dream of becoming an actress when her family goes into debt, but she catches the eye of a businessman while working at a nightclub. He sets her up with her own nightclub, but with expectations attached.
A woman brings her injured daughter to the hospital, only to realize that the doctor is the estranged father of her child.
In "The Other Woman" the children of a distinguished professor find that the woman they have come to regard as their racy and slightly disreputable Ginza aunt is really their mother.
Set in 1926 when Japanese tradition was much stronger, this drama looks at the inner workings of a small family, especially the relationship between a sister and brother.
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
This film features a large extended family (and associates) even more extensive than the one portrayed by Ozu in "End of Summer". The central character is Setsuko Hara -- a poised middle-aged woman, whose wealthy (and prestigious) husband dies at the outset of the action, leaving her widowed but holding the proceeds of a million yen insurance policy. Being childless, her former in-laws have no objection to her return to her own family.
A kind of modern dress "Donzoko" "The Lower Depths", about slum life in Osaka, where a greedy widow (Mimasu) takes advantage of her poor roomers, including her own son, who makes a meagre living stripping taxicabs.
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Each route has dangers, including investors demanding a return on their loans. Keiko has a quiet dignity that attracts men, but are they what they seem? Does she actually have choices?
Yoshikawa and Kaji are alumni - Yoshikawa leads a life loyal to his company Toho Corporation, whilst Kaji works in the underground world for Aoyama, a fixer trying to buy Toho out. One day, Yoshikawa is ordered to take a look into the information leakage which had resulted in a serious fall of the company stock price. Following his order, Yoshikawa reunites with Kaji but their relationship gets complicated through the presence of Akiko, the daughter of Kubo, chairman of Toho Corporation. There is an obvious financial conspiracy and several men are killed - Who is the true mastermind behind all the plots?
The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.
When a married woman has an affair with a young musician, feudal Japanese law requires that both offenders pay with their lives. However, the woman's husband blames himself for his wife's straying and attempts to thwart the law demanding capital punishment.
Story of a family torn apart when Teiji (Mori), the father, develops intimate feelings for a runaway (Kuga) the family has taken into their home.
A sensitive young woman aged 22 fell in love with a middle aged man who was troubled by his unfaithful wife.
A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.
Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s disabled daughter befriends the mistress, the affair throws the family into turmoil.
In eighth century China, the Emperor is grieving over the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their influence over the court. General An Lushan finds a distant relative working in their kitchen whom they groom to present to the Emperor. The Emperor falls in love with her and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets. The ministers misuse their power so much that there is a popular revolt against all the Yangs, fueled by An Lushan.
A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.
Fumiko, mother of two children and wife of an unfaithful man who shows a low self esteem, shares her family life with her budding vocation as a poetess. The beginning of her successful literary career coincides with her divorce and the development of a serious illness: a breast cancer, which leads her to lose her breasts. In the last stage of her life she meets a young journalist arrived from Tokyo, an admirer of her work, who wants to write a story on her life.
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.
Describes the oppressed life of the crab fishermen and their final revolt which is bloodily suppressed by the Royal Navy. (Set in the 1920's)
Kazuo Miyagawa’s prizewinning black-and-white cinematography draws out the moral shadings of Nobel laureate Yasunari Kawabata’s 1952 novel Thousand Cranes, a quietly devastating story of a young man, orphaned during the war, who stumbles into a passionate yet tragic relationship with his late father’s mistress and her daughter.
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
If two clouds go away, the eyes of a maiden who gets wet in tears, Tsukaman Aise who earnestly wished, and the two who cried under the harsh trials of ten years when they fell in love and fell in love, climbed the hill of memories again. Surprisingly, there was an event that turned a moment of joy into tears ...
The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.
An intellectual couple in a staid and tedious marriage are surprised when the wife’s niece, who has run away from home, turns up unexpectedly to stay with them. Their mundane lives are sent into disarray by the emotional and energetic Ako.
Yoshitsune Minamoto, disguised with his retinue as monks, must make do with a comical porter as their guide through hostile territory en route to safety.
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.
Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.
"Pure white nights" - A romantic tale that depicts love between married people and the psychology of their marriage with elegant and a controversial touch. Love, art and suffering until the tragic and absurd ending.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A joint project by Sojiro Motoki and Tomoyuki Tanaka, co-dramatizing the original story by Shu Sekikawa with Senkichi Taniguchi and Kenro Matsuura. The fur of a stray dog, the double-barreled gun tied to the backpack, the beard covered with tanned leather, and the bottom of the snow-burnt shining eyes, for the first time in thirteen years, these reached out to the bottom of society. Genji Iwaki dreamed of reuniting with his first love, Tsukie Shiina, with a huge amount of gold dust. To hand over half of the gold dust, he appeared in the memorable N city from the mountains of Teshio with the hope of seeing his late colleague's son, Ichiro Akutsu...
When the future of his construction company falls into danger, a controlling father pushes his children into unsatisfying marriages and careers in order to regain financial stability.
"Delinquent Girl" - A melodramatic love story, a would-be apprenticeship between the titular “bad girl” and the optimistic scholar returning from the big city.
Life and love in corrupt postwar Tokyo, as a young couple struggles against both the law and the mob.
After Japan's loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life. They hold one last ball at the house before leaving. The seemingly cold, cynical son secretly grieves for his defeated father and the values that the war destroyed, while the daughter tries to prevent father from taking his life and to find her own place in the new Japan.
Two sisters, one a dancer and the other a script supervisor at a big movie studio, become embroiled in union activities when a strike is called in sympathy with striking railroad workers, one of whom boards with the sisters and their parents. The girls' father argues with them about their strike, but finds his views changing when he himself loses his job.
In this government-suggested sequel, Sugata again grows as a judo master, and demonstrates his (and by extension, all Japanese) superiority to the foreign warrior.
Three IJN flyers Mikami (Susumu Fujita), Kawakami (Masayuki Mori) and Murakami (Akitake Kono) are good friends, and they are all renowned for their torpedo techniques. Mikami is posted as a staff officer at a base on an island in the Pacific. Kawakami and Murakami later joins him as the base squardron is reinforced. The enemy task force approaches the island and all three of them attack the fleet, killing themselves in the process.
