Massimo Bonetti

A summer evening, a recently concluded rock concert, three strays in the dark of the night: an immigrant peddler with a valid residence permit expiring, an unemployed anarchist and Leila, a firefly without light. Their story is cut short by the senseless violence of two Nazi skins. But friendship continues to run in a yellow van, emblem of their freedom ... beyond darkness, beyond death.

Falcino, a small town in the south of Italy. No one sees. No one hears. Nobody talks. But everyone knows. And so they all become accomplices of a tragedy against women, against kids, against a family. A story of violence and slavery. Indifference is stronger than their conscience. Maria, a young mother of a family, lives with her husband Gerardo and her two children, Rocco e Carmela, on her father-in-law's farm: "grandpà" Giuseppe. Gerardo decides to emigrate to Austria to earn more money so as to allow a more comfortable life for the family. This absence will be the beginning of a nightmare that will lead Maria and her daughter to be victims of abuse of an unscrupulous ogre (monster).

Gaetano and Delia, a separated couple, try to pick up the pieces of their broken love, recalling all the faults and the mistakes which led them to where they are now.

6.5/10

A crime drama directed by Ruben Maria Soriquez.

5.9/10

Adele is suffering from a terrifying recurring dream; a dream that often borders on reality, and even enters it in the form of horrible visions which climax during an evening stroll in the center of Rome. The medical findings don't reveal anything noteworthy and her brother, who was with her that evening, is diagnosed with a simple seizure. Faced with a general skepticism, Adele has no other choice but to turn to the unconventional, so she decides to seek out Dylan Dog - a paranormal investigator

6.6/10

Fragments of footage, unpublished snapshots and interviews with friends and colleagues. A tribute to the actor, director and producer Massimo Troisi, to celebrate what would have been his sixtieth birthday.

Dir. Stefano Calvagna’s third feature is inspired by the real events in the life of Luciano Liboni, aka "The Wolf." A freewheeling interpretation of the character, here renamed Franco Scattoni (Massimo Bonetti), the film highlights the ups and downs of a rough and violent man, whose behavior borders on madness and is worsened by epilepsy. Il Lupo feels he has nothing to loose. Diving headfirst into a life of crime, he ends up killing a gas station attendant in Perugia in 2002. He then kills a young "carabiniere," and becomes a wanted fugitive. A case study in human behavior’s violent patterns framed as a psychological thriller and police story, this controversial film has been praised for the uncompromising realism of its disturbing narrative.

5/10

Distretto di Polizia is an Italian television series.

6.2/10

Giallo based on the true crime of Rita Squeglia, who killed her lover and hid the body in a suitcase.

5.7/10

A woman suffering from compulsive-type psychological problems falls for an older divorced neighbour. Will her love be returned? A slow story of confusion and loneliness.

6.7/10

Based on a novel of Segio Atzeni. By a lot of interviews, usualy contradictory, it discovers the many lifes of Tullio Saba, a sardinian miner, thief, singer, union organizer, rebel...

7.1/10

The annual film festival in Venice is, of course, an ideal place to make a film (how come no-one has thought of it before). Everything is there in Pupi Avati's Festival: the famous hotels Des Bain and Excelsior on the Lido, the shimmering sandy beach which captivated Visconti. The film was made last spring and exploits the presence of passing film stars such as Jack Nicholson. We see the hysterical press conferences, where journalists and experts ask intelligent questions-without listening to the answers.

6.7/10

Quite a few decades ago, the Italian immigrants in this movie came to live in the Venezuelan countryside. They have settled in a region dominated by a crusty local aristocrat, and over the years they have had many encounters with him. It is finally time to take stock of their successes and failures and to decide whether to remain in Venezuela or return to Italy. The immigrant family is headed by a strong-willed and very earthy woman, and her evolving relationship with the aristocrat determines the outcome of their deliberations.

7/10

A young restorer is commissioned a job at an old villa which belongs to an aging countess.

5.9/10

Based on Leo Tolstoy's novel, Father Sergius, Night Sun stars Julian Sands as Sergio, a nobleman in 18th-century Italy who is expected to marry a duchess, Nastassja Kinski. Upon learning that she was previously the King's mistress, Sergio turns his back on society and becomes a monk. While at the hermitage he tries to resist all sexual temptations before him and soon becomes known as a miracle worker. Eventually he succumbs to a young seductress and knowing he is undeserving of the adulation, leaves the hermitage to travel around as a homeless beggar.

7/10

At a farmhouse, a large family cooks mountains of food for the next day's engagement party for Silvia and her city fiancé, Angelo. Her parents feud about infidelity; an aging salesman who rents a cottage from them arrives with a young French woman; in Bologna, Angelo's mother frets that her son is marrying beneath him; his sisters are less critical. Early the next morning, the four of them go by train to the farmhouse, joined by Angelo's married, unpregnant sister. The day-long dinner is riotous, couples display affection and impatience, children chase angels. Angelo's family stays the night, and his sister Linda has a visitor. A silver elephant makes the perfect gift.

7/10

Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.

7.9/10

The Night of San Lorenzo, the night of the shooting stars, is the night when dreams come true in Italian folklore. In 1944, a group of Italians flee their town after hearing rumours that the Nazis plan to blow it up and that the Americans are about to arrive to liberate them.

7.4/10
7.7%

A story of how World War II affected the lives of a German family and an American family, both of whom had sons and fathers fighting in the war.

4.8/10

An alien vessel manages to break the earth defense systems. Captain Layton is sent to investigate and find the invaders. Together with friends from the planet Ganymed he discovers the enemies in a hidden underground city on earth.

2.7/10

Luigi "Chinaman" Maietto escapes from prison. As soon as he is free he assigns immediately two henchman to murder the inspector whose testimonial once led to his prison sentence. Inspector Tanzi is left for dead but survives. The local newspapers cover up for him and pretend the assassination had succeeded. When Tanzi gets better, his superior wants him to hide in Switzerland. But Tanzi defies him because he intends to make sure himself that Maietto is put back in prison. He goes for it.

6.8/10

Summer Sunday at a small beach house at the coast of Rome. Many people and stories: women's basketball team, two sports-obsessed soldiers, two men with their girlfriends and the priest with a big secret, an elderly couple with their pregnant granddaughter, and engagemented couple wanting to have sex for the first time.

6.5/10

A strange signal arrives on the Earth disturbing all communications, while an UFO appears above the Antarctic sea. Captain Alex Hamilton is sent with his spaceship and crew to the space outside the Solar System to find the origin of that signal. They reach an unknown planet where a giant robot enslaved a whole population of humanoids by taking their psychic energies.

2.9/10

Free Hand for a Tough Cop (Italian: Il trucido e lo sbirro, also known as Tough Cop) is an Italian poliziottesco-action film directed in 1976 by Umberto Lenzi. In this movie Tomas Milian plays for the first time Sergio Marazzi aka "Er Monnezza", a role that he later played several more times, in Lenzi's Brothers Till We Die (1978, a sort of sequel of this movie), in Destruction Force by Stelvio Massi (1977), in Uno contro l'altro, praticamente amici by Bruno Corbucci (1980), in Francesco Massaro's Il lupo e l'agnello (1980).

6.5/10