Maxim Gaudette
Devastated but furious after his girlfriend dumps him on a metro platform, 23-year-old Cedric takes off with his unfinished novel in his bag. Fate leads him to a large, rundown house owned by Isabelle, a onetime star pianist and faded beauty. Isabelle, now a lonely 76-year-old alcoholic, passes her days at her piano and with her group of eccentric boarders. From their first meeting, Cedric knows that Isabelle is the love of his life, and Isabelle realizes he is her last chance for love. Driven by their intoxicating passion for one another, they plunge headlong into a love affair where they are pushed to the brink of hate and death, even escaping reality to keep their love alive.
1978. In a small village in Bas-St-Laurent, Guy’s tragic death is a shock for the Leblanc family. For many years, the real cause of his death is kept hidden from some members of the family, including his son David. The latter in turn starts his own family with his wife Marie. He lovingly raises his children Laurence and Frédéric, but deep within him harbours a persistent melancholy.
After his loved ones betray him, a man in his 30s goes to a lakeside cabin to hide from the world. But instead of finding peace, he has to deal with a kooky neighbour, a missing drowned man, a crook on the lam, a stripper who hides out with him, and the cop who’s madly in love with her and looking for her with murderous ardour.
Les Rescapés is a Canadian television drama series, which debuted on Télévision de Radio-Canada in the 2010-11 television season. The series stars Roy Dupuis and Guylaine Tremblay as Gérald and Monique Boivin, the patriarch and matriarch of a family from 1960s-era Montreal who find themselves mysteriously transported into 2010. The cast also includes Maxim Gaudette, Ève Lemieux, Antoine L'Écuyer, Benoît Girard, Céline Bonnier and Yan England.
A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.
A dramatization of the Montreal Massacre of 1989 where several female engineering students were murdered by an unstable misogynist.
During a brief stay in Florence, Camille believes she's victim of an enormous flood. Urgently taken to a psychiatric hospital, she is diagnosed with the Stendhal Syndrome: a temporary psychological disorder well known to affect tourists who are too vulnerable to the beauty of art work. This disorder which is considered benign doesn't worry the medical staff who asks that she be sent back to her country. Back home, she has to come to terms with a tragedy she has wanted to flee: her mom had gone missing right before her departure. Convinced that she has to move on with her life for her mental sanity, Camille decides that it is time to accept the fact that her mother will never come back. But when she goes to Matane, the last place where her mother had been seen alive, Camille comes across many clues that will propel her into an emotional roller coaster.
Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.
