Maximilian Gehrlinger
When the infamous Robber Hotzenplotz leaves his hideout in the forest to steal a beloved musical coffee grinder belonging to Kasperl’s grandmother, the town’s clumsy police sergeant proves to be of little help with arresting him. The young Kasperl and his friend Seppel decide that they will track down the thief themselves, but stopping him will not be easy – especially when Hotzenplotz involves the wicked magician Petrosilius who lives in a terrifying castle where he will imprison our heroes. Joined by a fairy-turned-toad, Kasperl and Seppel must escape the castle, catch the two vicious crooks, and bring the coffee grinder back to Kasperl’s beloved grandmother!
The end of a summer, a sleepy fishing port on the Baltic Sea and the beginning of a great feeling that must not be: Shortly before the start of the new school year, the 18-year-old Christian falls in love with his new English teacher Stella Petersen. In a moment of unexpected lightness and freedom, in the dunes and seascape far away from the small town, Stella and Christian discover a shared longing and an attraction to each other, the intensity of which both overwhelmed. But soon after class has begun again, the secret relationship between the young teacher and her pupil threatens the scandal ...
The story is set some time in the past, or maybe some time in the future. Given a time-frame, we would say somewhere between the American moonwalk, and Coca- Cola's serious ambition to turn the moon into an advertising logo. Our central character, the young lift operator, is formed by experience into cynicism, detachment, and apathy. The story builds to its crescendo: of public outrage and state crackdown; the banality of commercial interest and the monumental rape of nature. Set in a large newspaper office, the Lift is a place of relative safety. But floor by floor, with each passenger in his or her tableau, the atmosphere of mayhem seeps in. Finally our young character leaves the situation, far-gone in hopelessness and disinterest.
