Michael Fischetti
An aging comic icon, Jackie Burke, has seen better days. Despite his efforts to reinvent himself and his comic genius, the audience only wants to know him as the former television character he once played. Already a strain on his younger brother and his wife, Jackie is forced to serve out a sentence doing community service for accosting an audience member. While there, he meets Harmony, the daughter of a sleazy Florida real estate mogul, and the two find inspiration in one another, resulting in surprising consequences.
Seen-it-all New York detective Frank Keller is unsettled - he has done twenty years on the force and could retire, and he hasn't come to terms with his wife leaving him for a colleague. Joining up with an officer from another part of town to investigate a series of murders linked by the lonely hearts columns he finds he is getting seriously and possibly dangerously involved with Helen, one of the main suspects.
Every week, six men from various walks of life get together to play music for their own satisfaction. Trombonist Wayne Rogers is a used-car dealer; drummer Daniel Nalbach is a mother-dominated dentist; clarinetist Jerry Matz is a somewhat self-centered music teacher; trumpeter Warren Vache could have been a professional musician, but opted for a socially convenient wealthy marriage; and bass violinist Stan Lachow prefers to keep to himself the rest of the week. What happens to this informal aggregation when the opportunity arises for a paying gig at a Catskills resort forms the heart of this picture. Dissention in the ranks comes about when Lachow can't make the engagement, and is replaced by veteran musician Cleavon Little, who is disdainful of being surrounded by amateurs. The Gig is a model "small" picture, a clear labor of love for writer/ director Frank D. Gilroy.
A professional hit man and hit woman fall in love, only to discover that they have each been hired to kill the other.
