Michael Gempart
Simon has a love-hate relationship with his father. When his parents go on holiday, Simon initiates a seductive game of cat-and-mouse with his father’s mistress and gets disastrously tangled up in the sticky family network.
The little witch is only 127 years old – too young for the annual coven of witches. Although she is not yet old enough to be a real witch she wants to become a really good one. This decision causes trouble inside her magic world.
Charleen is 15, melodramatic, mega depressed, and Kurt Cobain’s biggest fan. Her best friend Isa is getting really boring, her dad is out of the picture, and her mom has hooked up with her biology teacher. Even though she has an apprenticeship preparing bodies for funerals, which is pretty cool, her musical idols are all dead. It’s about time Charleen was, too.
Paul (40 yrs old) visits his elderly parents after a long time away. While father has joined a so called free-church, mother is now in a wheelchair and never leaves the house. Paul has not been aware of any of this. He has only come to visit because he is broke and needs money. Father is about to take a trip with his church and has promised to pay Paul for taking care of his mother while he is away.
Life could be wonderful for Livia and Marco: good-looking, young, and Tim's parents. Tim is nine months old. His screaming every night drives his parents around the bend, although he was supposed to cement their relationship. But instead of slumber and sex, it's the same every night: jump out of bed and into the wobbly old Golf whose engine sound is the only thing that calms Tim down. One night, the unbelievable happens…
Sebastian, a young male prostitute, is one of Georgs few remaining chances to break through his hermit-like everyday life in exchange for a few fleeting moments of being together with someone at least for a few hours. Georg loves Sebastians easy-going and playful manner. He loves the absurd stories that the boy spontaneously comes up with and Georg never knows whether to actually believe all of them or not.
Competition rider Nina Becker and movie star Niklas Tremsaal are a happy couple without a marriage certificate. Marrying is not an issue for the two - until the little niece India holds cheap plastic jewelry on Nina's finger for an engagement ring and so gets an avalanche rolling, which can not be stopped. - "Marry makes me nervous" is a joke-staged romantic comedy. Suzan Anbeh plays marrying Nina, who has to choose between her fiancé and her childhood sweetheart.
Spirited New Yorker Linda Voss goes to work for international lawyer and secret Office of Strategic Services operative Ed Leland just before World War II. As they fall in love, the United States enters the fight against Hitler, and Linda volunteers to work for Ed spying undercover behind Nazi lines. Assigned to uncover information about a German bomb, Linda also has personal motives to fulfill: discovering the fate of her Jewish family members in Berlin.
L'histoire d'une famille noble et éclairée, celle du comte Savinien de Kerfadec, lors des grandes révoltes chouannes dans les campagnes vendeenne et bretonne. L'histoire de ses enfants, dechirés entre le souffle de l'esprit révolutionnaire et la resistance épique des blancs a la montée de l'opportuniste bourgeoisie.
During the WW2, a Swiss mountain farmer, refuses to follow the government policy to increase self-sufficiency with produce. In his opinion, the steep mountain pastures are not suited for agriculture. Most of the villagers agree. However some begin to cultivate. Even after all his fellow farmers have given in and have started to plant cops, Tanner continues his opposition and ignores all letters and instructions. This leads to a series of reprimands, for instance, some of his hay is seized and his wife cannot buy at the local grocer's since the family won't comply with the government policy.
Even with good acting, pleasant music, and artistic photography, this "love-boat" story of romance is more like Alice in Wonderland rather than Alice on the streets of Zurich. The Zurich Alice is a flautist who plays for the passersby like many another street or Metro musician. While so engaged, she meets a VIP Russian flautist who has defected and is living in the city. He falls in love with her and as a gesture of his devotion decides to arrange her solo concert debut. Meanwhile, Alice easily figures out what his plans are and devises her own secret scheme. When the day of the performance arrives, her Russian heartthrob is in for a flattering surprise, sure to end his bachelor status. ~ Eleanor Mannikka, Rovi
Based on the story by Jeremas Gotthelf, this horror film direct by Mark M. Rissi features the hallucinations of a woman after a drug raid gone.
A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan
During World War II, Switzerland severely limited refugees: "Our boat is full." A train from Germany halts briefly in an isolated corner of Switzerland. Six people jump off seeking asylum: four Jews, a French child, and a German soldier. They seek temporary refuge with a couple who run a village inn. They pose as a family: the deserter as husband, Judith as his wife, an old man from Vienna as her father, his granddaughter and the French lad, whom they beg to keep silent, as their children. Judith's teenage brother poses as a soldier. The fabrication unravels through chance and the local constable's exact investigation. Whom will the Swiss allow to stay? Who gets deported?
In this interesting World War I drama, Bruno Ganz gives a compelling performance as Jakob, an obsessive inventor who lives in a Swiss village. He receives unconditional support from his friend Otti (Walo Luond), but that is about all; the other villagers do not tolerate Jakob's eccentricities very well, and regard him as a crackpot. He perserveres in spite of this obstacle and finally invents a viable carriage that does not run on wheels but on a tread. Unfortunately for Jakob, the military have already come up with the same invention: the tank. The discovery finally breaks him, and he is quickly shuttled off to an asylum.
Part satire, part drama, this movie tells the story of Anton Paulisch (Herb Andress), who has been living and working as an actor in Rome. When he hears that his mother is mortally ill, he returns to Munich to be at her bedside, but doesn't quite make it. He and sister Astrid (Elke Haltaufderheide) rediscover their friendship, though, as they go through a number of crises. Meanwhile, Anton makes an effort to find work in Munich, and runs headlong into the silliness and pretensions of the "New German Cinema" movement.
Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The murder victim is a man in a dress. Discovering his true identity takes Brunnetti into the world the transvestites, charity finance, other victims and ultimately the killer.
