Michael M. Robin
Regina Haywood is the newly promoted deputy inspector of East New York, a working-class neighborhood at the edge of Brooklyn. She leads a diverse group of officers and detectives, some of whom are reluctant to deploy her creative methods of serving and protecting in the midst of social upheaval and the early seeds of gentrification.
The boundaries between military discipline and human desire are tested on a U.S. Army base that houses an elite unit of helicopter pilots trained to perform clandestine international and domestic missions. The drama unfolds in the present as well as in flashbacks to a failed mission involving one of the first female pilots in the unit, ultimately uncovering layers of personal and government/military secrets and leading to a season-long plan to rescue a group of MIA soldiers.
Major Crimes explores how the American justice system approaches the art of the deals as law enforcement officers and prosecutors work together to score a conviction. Los Angeles Police Captain Sharon Raydor heads up a special squad within the LAPD that deals with high-profile or particularly sensitive crimes.
Perhaps their strikingly different personalities make the relationship between detective Jane Rizzoli and medical examiner Maura Isles so effective. Jane, the only female cop in Boston's homicide division, is tough, relentless and rarely lets her guard down, while the impeccably dressed Maura displays a sometimes icy temperament — she is, after all, more comfortable among the dead than the living. Together, the best friends have forged a quirky and supportive relationship; they drop the protective shield in each other's company, and combine their expertise to solve Boston's most complex cases.
Deputy Police Chief Brenda Jean Johnson transfers from Atlanta to LA to head up a special unit of the LAPD that handles sensitive, high-profile murder cases. Johnson's quirky personality and hard-nosed approach often rubs her colleagues the wrong way, but her reputation as one of the world's best interrogator eventually wins over even her toughest critics.
Medicine could be a lucrative business if it weren't for all those sick people. So goes the motto of the mega-sized, mega-frugal HMO that runs Mission General Hospital in San Francisco, where two renegade doctors bend the rules and find the loopholes in a constant quest to treat their patients. Together, they practice medicine with a take-no-prisoners attitude and don't-take-no-for-an-answer tactics.
"Bailey's Mistake" is the name of a cold, dreary island that a bitter widow finds herself stuck on. Seems Liz Donovan got cut out of her husband's will because he'd secretly spent all his money on a New England island. Kids in tow, Liz discovers spooky secrets while getting to know the eccentric natives.
Brutally Normal is an American television sitcom that starred Mike Damus which aired on The WB Television Network. The series premiered on January 24, 2000 with two back-to-back episodes later airing along with Zoe, Duncan, Jack and Jane. A total of eight episodes were produced with only five of those episodes airing with the show being canceled on February 14, 2000.
Brooke McQueen, a popular cheerleader at Jacqueline Kennedy High School, and Sam McPherson, the editor of the school paper, are polar opposites. When their single parents unexpectedly meet and get engaged, Brooke and Sam have to deal with their new situation on top of regular teenage girl problems.
Civil Wars is an American legal drama that aired on ABC from November 1991 to March 1993. The series was produced by Steven Bochco, known for his work on NYPD Blue, L.A. Law and Hill Street Blues. After a brief syndicated run on the FX Network in the mid 90s, the series has not aired since.
L.A. Law is an American television legal drama series that ran for eight seasons on NBC from September 15, 1986, to May 19, 1994. Created by Steven Bochco and Terry Louise Fisher, it contained many of Bochco's trademark features including a large number of parallel storylines, social drama and off-the-wall humor. It reflected the social and cultural ideologies of the 1980s and early 1990s, and many of the cases featured on the show dealt with hot-topic issues such as abortion, racism, gay rights, homophobia, sexual harassment, AIDS, and domestic violence. The series often also reflected social tensions between the wealthy senior lawyer protagonists and their less well-paid junior staff. The show was popular with audiences and critics, and won 15 Emmy Awards throughout its run, four of which were for Outstanding Drama Series.
