Michael Schottenberg
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Several emblematic buildings in Vienna suffer from a series of explosions that destroy works of art of inestimable value, as well as generating a large number of victims. Detective Peter Bender will need the help of Lena, a student of art, discover the murderer, because it uses a hidden code in the symbolism of the boxes to convey a message.
In this highly symbolic political allegory, Averill is traveling through a troubled countryside amid rumors of war to visit his father. He reaches a train station in a city which is paralyzed by a transportation strike and is forced to take lodgings in a bizarre, unattractive town populated by seemingly malformed individuals. After a while, he begins to try to woo a much older woman, and symbolic images of entrapment, imprisonment and erotic enticement mark his adventures in this regard.
Despite its South-of-the-Border title, Caracas is an Austrian love triangle. Gas-station owner Gerhard Zehmann is saddled with cheating wife Regina Bill. The man would like to escape to Venezuela, but he can't unload his wife. Then he meets a woman who is the exact double of his wife (also played by Regina Bill, of course). Falling in love with this clone, the husband hatches a plan. He'll murder his wife, then leave for Venezuela with her look-alike so as not to arouse suspicion. Are foolproof plans like these ever really foolproof?
