Michael Shrieve
On March 21st, 2016, a few weeks prior to the release of the Santana IV album, the classic line-up of Santana took to the stage at the House Of Blues in Las Vegas. The show they delivered combined tracks from the new album with the classic hits from the band's first three albums, to which Santana IV is the natural successor. This was a hugely anticipated reunion of a line-up that had not performed and recorded together since the early seventies. It brought back the scintillating combination of rock, Latin, blues, jazz and African rhythms which was the band's trademark and made them truly unique. The concert was a celebration of the chemistry, dynamism and pure musical joy that had made the original band so special and earned them a place in so many fans hearts. It is a show to be enjoyed over and over again.
Terry Lambert is sleeping with Sylvia, the wife of his boss. One night, while in Terry's apartment, Sylvia witnesses a man assault a young woman, Denise, on the road below. Not wanting to reveal her affair with Terry, she keeps quiet. Terry instead steps forward, trying to help nab the criminal. However, he never saw the suspect and, when his lies are uncovered, the police begin to suspect his motives.
An alienated teenage boy runs away from home and ventures to New York City where he falls in with a gang of juvenile delinquents working as drug dealers and pickpockets for a shady crime boss.(IMDB)
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
The landmark documentary about the tragically ill-fated Rolling Stones free concert at Altamont Speedway on December 6, 1969. Only four months earlier, Woodstock defined the Love Generation; now it lay in ruins on a desolate racetrack six miles outside of San Francisco.
