Michel Amphoux
On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?
In 1856, fresh from life with nuns in an orphanage school, Alexina Barbin comes to a coastal village in La Rochelle to teach the village girls. She is deeply religious. She shares the classroom and a bedroom with the young and vivacious Sara, with whom she falls in love. Alexina has another secret: her gender is mysterious. She and Sara begin a scandalous love affair, but Alexina seeks marriage and social acceptance. She discloses her secrets to the village priest, to her mother, to the bishop, and to the bishop's physician. After the church and court rule on her petition, marriage to Sara becomes Alexina's sole purpose and hope.
A Paris police detective (Richard Berry) plays rough with a prostitute (Nathalie Baye) and her pimp/lover (Philippe Léotard), whom he wants as an informant.
