Michiko Hayashi
Naoto Ogata plays Sadajiro, a young farmer fighting out the battle of the riot through to the end. Sadajiro's wife is played by Hiromi Iwasaki, his father is played by Go Kato and Ryuzo Hayashi plays a leader of the Riot. The Riot in Gujo is called one of the biggest three riots in the Edo Period as it took almost 5 years to settle and also involved the Edo government. This movie is a period film about the riot and Gujo farmers fighting for their tenacity of purpose. The farmers had suffered enough from heavy taxes and decided to rise up in riot when the domain lord, Yorikane, issued a new act, which practically forced tax increases. Asking the lord to retract the act, they pour down to the Hachiman Castle. For once they attain the repeal deed signed by the chief retainer. However the promise is broken. Now the farmers decide to make a direct plea to the Edo Residence…This film is full tension and breathless moments.
Shun Nakahara directs this comic take on Sidney Lumet's 1957 classic Twelve Angry Men. Just as in that earlier work, this film takes place in a jury room and takes place in real time. The film opens as the jury is about to acquit the defendant -- a bar hostess who pushed her ex-husband path of an oncoming truck, supposedly in self-defense. Just as everyone seems to be in agreement over the woman's innocence, one bespectacled juror (Kazuyuki Aijima) -- no one is given names in this film -- voices second thoughts. Slowly, like an inversion of Henry Fonda's character in the earlier film, he sets about convincing his fellow jurors -- a group of nice folks who don't like thinking ill of people -- that the defendant is in fact a cold-blooded killer.
A young man working as a cameraman in Tokyo is visited for three days by his parents from the countryside.
The 25th NHK Asadora. Nishiki Natsuko is a woman who strives to become a photographer.
Kôsuke Kindaichi, a somewhat peculiar private detective, visits a remote town. He meets a police detective and they start to investigate an old unsolved murder. Then some murders happen. Kindaichi must find out about the past in order to reveal who the murderer is.
Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.
