Michiyo Aratama
The 26th NHK Asadora. Shimazaki Kayo is a woman from Hagi, Yamaguchi, who joins the Takarazuka Revue, a Japanese all-female musical theater troupe based in Takarazuka, Hyougo Prefecture, Japan. Women play all roles in lavish, Broadway-style productions of Western-style musicals, and sometimes stories adapted from shoujo manga and Japanese folktales.
Kaze to kumo to Niji to (Wind, Clouds, and Rainbow) is a 1976 Japanese television series. It is the 14th NHK taiga drama. Kaze to kumo to Niji to deals with the Heian period in Japan. Based on Chōgorō Kaionji`s novels Taira no Masakado and Umi to Kaze to Niji to. The drama was made by Go Kato`s request. The story chronicles the life of Taira no Masakado . The story begins with Masakado′s childhood. Masakado happens to meet Fujiwara no Hidesato, and he thinks that he want to be great Samurai like Hidesato in the future.
Set at the end of the 12th century when several wars for control of Japan disrupted a long era of peace, this tale of "Heike" (another name for the Taira clan) focuses on Taira Kiyomori who fights alongside other members of his clan to at first successfully overcome the Minamoto clan and their bid for power. Battles and intrigue abound, as the puppet Emperor and Buddhist monks take sides in the power struggle. At issue is Kiyomori's parentage, not an unusual problem for the nobility in that era where clandestine liaisons among courtiers and the upper classes were common.
Traveling salesman Kuruma Torajirō falls in love with an inn manager as New Year's approaches.
An abandoned temple in the mountains outside of the old capital city of Kyoto is the scene of a fated meeting between a traveling priest, two women, and a vicious killer. Bloody violence erupts whenever strangers approach the temple. Can the traveling priest bring his belief in the Buddha and rid the three temple residents of the devils that hold their souls?
A high school boy Ken'ichi lives happily with his mother Hisako, who works for a department store owned by the father of his friend, Noboru. Ken'ichi wins a music contest, and he and his friends form a band, Za Tenputāzu (The Tempters). Ken'ichi becomes upset when he learns that Noboru's father is in love with Hisako, and he leaves home with his band members and music instruments. While he stays away from his mother, he learns from Hisako's friend that Hisako is not his real mother.
A film about the construction of the Kasumigaseki Building, the first high-rise building in Japan.
Zensaku, middle-aged and deaf in one ear, learns that his son's fallen for the daughter of a war officer responsible for the maiming.
When a gifted Japanese craftsmen dies, his three daughters are summoned to decide who will take over the family ribbon business in this family drama. Only one daughter cares to carry on her father's work, but she is met with resistance from her stepmother. One sister cares nothing for the artisan tradition, while the other is an icy opportunist whose only love is for money. It is the daughter who cares the most for her father's work who wanders away in a symbolic journey of self discovery.
Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.
Former playmates (Naito and Tamura), both long ago abandoned by their parents, recall their youth and fall in love.
Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled Japan for 300 years. They suspect a traitor in their midst, and their suspicions fall on Niiro, an impoverished ronin who dreams of samurai status, and Kurihara, an aristocratic samurai who befriends Niiro. Niiro longs to identify his father, knowing he is a high-ranking official who will disclose himself only if Niiro achieves samurai status. With American ships in Japan's harbors, cynicism among the assassins, and change in the air, Niiro resolves to reach ends that may prove ephemeral.
Three stories revolve around independence, a man searching for his wife, and a poor craftsman trying to make money.
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.
A Japanese detective, Kikuchi, is framed for a murder and sent to prison. When he is paroled, he joins a private detective agency to investigate his case and investigates Mitsue Takazawa, the wife of a local trading firm whom is really a crime lord responsible for Kikuchi's imprisionment and now sets sights on Setsuko, a woman Kikuchi becomes romantically involved with.
A salaryman's drunken ravings in public attract the attention of journalists who coerce him into telling them his life's story.
Hokkaido at the end of the Taisho era is Kitami. On the day his wife died of a dystocia, Bakuro Yonetaro fell asleep after being kicked by a sick woman Yuki at a vague shop after violence.
The story tells of a group of samurai who were left leaderless (becoming ronin) after their daimyo (feudal lord) was forced to commit seppuku (ritual suicide) for assaulting a court official named Kira Yoshinaka, whose title was Kōzuke no suke. The ronin avenged their master's honor after patiently waiting and planning for over a year to kill Kira. In turn, the ronin were themselves forced to commit seppuku for committing the crime of murder.
Drama about two college friends, now working for the same banking firm, torn apart by jealousy over their inequitable positions and love lives.
His ideals challenged by life as a conscript in war-time Japan's military, a pacifist faces ever greater tests in his fight for survival.
The Kohayakawa family is thrown into distress when childlike father Manbei takes up with his old mistress, in one of Ozu’s most deftly modulated blendings of comedy and tragedy.
One of Japan's most popular stories is the tale of Kutsukake Tokijiro, a traveling gambler who finds that he must take care of the wife and child of a yakuza he had been forced by the code of the gamblers to fight man to man. In a brilliant performance from super-star Ichikawa Raizo, with strong support from two of the greats from Toho, Shimura Takashi (7 Samurai) and Aratama Michiyo (Sword of Doom) the heartfelt story reaches new heights. Tokijiro, having learned the true nature of the boss to whom he was obligated for having spent a night and eaten at the gang's headquarters takes up arms against them in a running battle fought across the back roads of the entire nation. Another powerful rendition of this superb story, it is not to be missed!
The Human Condition is a Japanese epic film trilogy made between 1959 and 1961 The trilogy follows the life of Kaji, a Japanese pacifist and socialist, as he tries to survive in the totalitarian and oppressive world of World War II-era Japan. Taken altogether as a single film, it is 9 hours and 47 minutes long, which includes intermissions, making it one of the longest narrative films ever made. While the films earned considerable controversy at the time of their release in Japan, The Human Condition was critically acclaimed, won many international awards, and has since established Masaki Kobayashi as one of the most important Japanese directors of his generation.
In this Japanese drama, a village girl goes to Tokyo and becomes a hooker to support her ailing mother. While there she meets an unmarried teacher (at least he says he's unmarried) and falls in love. When she learns that he lied and is married to a woman whose child was fathered by another man, she is crushed. He returns to his wife. The woman becomes more distraught when she learns her uncle has misused the money she has sent. As the final straw, her mother dies, and the girl becomes sick.
Chuji Kunisada returns to his home village to find that Jubei Matsui, the corrupt magistrate, has been responsible for virtually destroying Kunisada's family. A final tragedy leads Kunisada to join with a band of rogues living in the forest in robbing from the rich and giving to the poor, always with an eye toward avenging himself on Magistrate Matsui.
These are the first two parts of the popular series in which a young samurai learns that he is the illegitimate son of the Shogun. Hoping to reunite with his birth father, Shogun Yoshimune, he heads for the castle.
A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.
On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.
As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.
This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
This mammoth humanist drama by Masaki Kobayashi is one of the most staggering achievements of Japanese cinema. Originally filmed and released in three installments of two parts each, the nine-and-a-half-hour The Human Condition, adapted from Junpei Gomikawa’s six-volume novel, tells of the journey of the well-intentioned yet naive Kaji—played by the Japanese superstar Tatsuya Nakadai—from labor camp supervisor to Imperial Army soldier to Soviet prisoner of war. Constantly trying to rise above a corrupt system, Kaji time and again finds his morals to be an impediment rather than an advantage. A raw indictment of Japan’s wartime mentality as well as a personal existential tragedy, Kobayashi’s riveting, gorgeously filmed epic is novelistic cinema at its best.
A war widow with a young boy manages a farm with her bossy mother-in-law. When a reporter comes to interview her, the two begin an affair. He turns out to be married and won't leave his wife. Her older brother tries to marry off his children and hang on to/ extend his farm through an advantageous marriage in the face of threatened land confiscation and the desire of his children to get comfortable urban jobs instead of the backbreaking work in the paddy fields under parental control.
Learning of his family's collapse, acolyte Goichi, sent to study silently at the Temple of the Golden Pavilion, must endure acute psychological distress.
It’s been five years since her husband had passed away. Fuyuko lives in the quiet suburbs, in a small but loving home with her three beautiful daughters. Haruko, the eldest, is the lead vocalist in a band. Natsuko is the conscientious type, who spends her days in ballet classes beautifying herself. The youngest of the three, Akiko is a bookworm who found her niche in philosophy. Although the sisters may appear to have nothing in common, there is one thing they all agree on; "Mom needs a new husband".
The fourth and final Japanese entry in the 1957 Venice Film Festival, Ubagaruma is also known as The Baby Carriage. Upon discovering that her father has a mistress, a young girl befriends the "other woman" and her child. Realizing that her half-sister is doomed to being regarded as an outcast, the heroine sets about to spiritually legitimize the girl. It was difficult for the festival judges to assess the film, since it apparently had been severely edited to conform with American censorship. The judges were, however, impressed by Ubagaruma's curious blend of comedy and drama.
Ise, a successful entrepreneur, accidentally murders his lunatic wife after he is spotted having an affair with his secretary, Harumi. In his attempt to perfect his crime, he drives to a remote quarry to bury his wife’s body, but along the way, he finds another dead body in the back of his car! Given no choice, Ise dumps both bodies. Meanwhile, Yoshie begins her search for her missing brother, Yoshihiko. After surprising twists and turns, Ise faces his fate.
Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s disabled daughter befriends the mistress, the affair throws the family into turmoil.
A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.
Chief editor Shirou Kanzaka (Hisaya Morishige) of Sankei Publishing Inc. is being tried for embezzlement and the staging of Chiyo Umehara's suicide. The victim is a woman who's said to have had sexual relations with the defendant. Four intertwined witnesses; a critic, Shirou's employee, a singer, and his wife, are all called to the stand. His destiny now lies in their hands.
In the first group of Yoshitake Ichi and Taketatsu Sada Preparatory Training, the team leader was Sou Adachi, a veteran warrior with strict training. Yoshitake's father was called, and his mother lived in the house where he used to work, but Midori, a female student at that house, secretly loved Yoshitake.
Sonejiro sacrifices all comfort to devote himself to research. Young housewife Yachiyo is disappointed with her husband Kappei, who is more attracted to mountain climbing and another girl. When Yachiyo’s father is introduced to Sonejiro, good will turns evil, and all happiness is at stake.
In this movie, Sashichi tries to catch a serial killer who kills his victims with shurikens.
This historical film depicts the life of a man who was at the mercy of the waves during transition from the end of the Edo period to the Meiji Restoration, and therefore, shows audience the dynamic change from Edo to Meiji. Before the war, the director, Eisuke Takizawa, together with the writers, formed a scenario writer group "Narutaki-gumi and they shot many historical masterpieces.
Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.
Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.
