Miha Mazzini

Ana gives birth at the local hospital and everything goes well. There is only a small problem with the paperwork – her file is not on the computer. A temporary loss of data seems to be caused by a software glitch, nothing to worry about. Within a few days, Ana is entangled in a web of bureaucracy of Kafkaesque proportions: not being in the computer means no social security, no permanent address and no baby. She is brutally forced to leave a newborn girl alone at the hospital without any right to visit her until everything is sorted out. All of a sudden Ana is a foreigner, even though she has lived in Slovenia all of her life. Legally, she doesn’t exist. So, her child is an orphan. And orphans are put up for adoption.

6.9/10
8.1%

TV documentary about the Mexican music craze in the communist Yugoslavia.

An evening in a nursing home for the elderly and a son with an agenda to break some bad news to his father.

Egon Vittori (Janko Mandic) is thirteen years old and does not have a record player. It is the beginning of the seventies and Yugoslavia seems to be the land of prosperity. Goods are being imported from the West, and these include American music, films and fashion. Everybody but Egon owns a record player. Finding his path among his family members, hippie owners of music records, schoolmates, teachers, communists and dissidents. Egon gets his record player in the end. And grows up somewhere along the way. Written by (Slovenian film fund)

7/10

An immigrant worker from Bosnia falls in love with the actress Nastassia Kinski. To be able to approach her, he has to become famous himself. That's why he sets off on a journey to fame in a black comedy with a twist in its tale.

7.3/10

Jure and Julija live in a relationship that is largely maintained by clichés and formalities.