Miki Sanjo
Inugami Sahei (Nakadai Tatsuya), who built up the wealth of the Inugami Clan, passes away, leaving a will with Furudate, his legal adviser, for his daughters Matsuko (Fuji Sumiko), Takeko (Matsuzaka Keiko) and Umeko (Manda Hisako), all of whom have different mothers, and for their sons (Sahei's grandsons), as well as for Nonomiya Tamayo (Matsushima Nanako), the granddaughter of a person to whom Sahei feels heavily indebted. The will states that all his assets are inherited by Tamayo alone, on the condition that she marries one of the sons of the daughters. Furudate's assistant learns the content of the will, and seeks advice from Kindaichi Kosuke (Ishizaka Koji), a private detective, as he senses the air of unease. Shortly afterwards, murders start to occur one after another in the clan.
A Japanese actress begins having strange visions and experiences after landing a role in a horror film about a real-life murder spree that took place over forty years ago.
Three women who share memories of the Hiroshima disaster try to uncover the hidden family ties that may or may not bind them together.
Hatano is living as an insomniac freelance typesetter alone in his bayside apartment. One day, Aikawa, a high school classmate he hasn’t seen in over ten years, shows up on his doorstep bearing a bag of clams. Though he claims to be the director of a fast-growing trading company, Aikawa crashes on Hatano’s couch for days on end. When the sleeping pills he was offered produce a strange side effect, Hatano is slowly dragged into Aikawa’s con-artist lifestyle. Soon afterward, they cross paths with the representative of a big-name publishing company and Aikawa’s ultimate scam begins to unfold.
Mitsu works in a factory and has a crush on Tsutomu, a young man she met on the Tokyo streets. One day the two go out, and after some deception, Tsutomu manages to have his way with her. Coming from a broken home, he is frightened by love, so he cruelly allows her to wake up alone. A month passes and a more grown-up Tsutomu returns. The lovers joyously reunite and move in together. All is blissful until both notice a strange sore on Mitsu's arm. The doctors diagnose it as leprosy. Without telling Tsutomu, Mitsu checks into a leper sanitarium. Hanging out with society's pariahs gives her much insight. She discovers the old lepers to be wonderful people. In turn, Mitsu becomes their source of joy and renewed hope. Still, she misses her Tsutomu. One day, the doctors inform her that they erred and that the sore is not leprosy. Happily she heads back to her true love until she realizes with a guilty pang that to return to him would mean unhappiness for her newfound friends
Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.
A police procedural surrounding murder at a bookstore and the private lives of the cops trying to solve the case.
Chieko (Momoe Yamaguchi) has been raised as the only child of parents who run a dry goods store. When Chieko was a middle-school student, she learned that her parents are not her biological parents. Cheiko's mother told her that she was stolen while sleeping under a cherry tree in Gion, Kyoto, Japan, but Chieko doesn't believe that. Her relationship with her parents is very close. Chieko only tells her childhood friend Shinichi, but...
This time, Kousuke investigates a murder in a hospital. The murderer leaves misleading evidence to divert Kousuke's attention on the case. Suspicion and doubt clouds Kousuke's mind.
When a tycoon passes away, he unexpectedly leaves the family fortune to outsider Tamayo on the condition that she marries one of the grandsons, pitting blood against blood.
A seamstress seeks the love of her life while helping a troubled couple.
Woman private eye Emiko goes undercover to reveal the truth of a murder case.
A young woman tries to keep her family together after her father disowns her sister.
A comical love story between two college students — Hitomi, a strong-willed girl, and Shogo, a handsome, earnest and poverty stricken man.
As a result of a superstitious belief that twins bring bad luck to the family, newborn twin princesses are separated. Yukihime, who was sent away to be raised by a yakuza family in Edo, returns home after many years to settle an old score.
The love between young college students Toki and the handsome Takaga is tested when Takaya's parents, who despise Toki's family's geisha house business, intervenes in their relationship.
Yoshiko finds new life and love interests when she takes a new job as an office worker.
To fulfill a friend’s dying wish, a young sailor Kenji takes on the task of delivering an heirloom to his friend’s daughter, Harumi, who has been adopted by another family. When he arrives, Kenji soon discovers that Harumi and her adopted family are the targets of an evil gang boss. In an attempt to help them, he decides to take matters into his own hands.
It's fighting fires and swordsmen with a touch of music in this free-for-all of action and excitement combining the talents of Japan's most popular couple... Misora Hibari and Okawa Hashizo. Along with the great Otomo Rytaro as Tatsugoro the fire chief, they keep Edo safe as part of the famed Megumi Fire Squad.
The conclusion of the story of famed swordsman, Sasaki Kojiro. After surviving a series of daring adventures, Kojiro seems to have finally discovered the ultimate happiness in life when he is reunited with Tone, the love of his life. However, his days of happiness are overshadowed by an upcoming duel with his fateful enemy Miyamoto Musashi.
The orphaned son of a count who was assassinated by his subordinates in a conspiracy during the Pacific War becomes obsessed with taking revenge on his late father's enemies.
A car strikes an unseen object; blood spreads from an invisible source which becomes visible as the bleeding man dies. He carries with him a suicide note dedicated to his only friend, who is also an invisible man. An eager young reporter tracks down Takemitsu Nanjo, a war veteran who makes his living visibly, painting his face like a clown's and carrying advertising signs. His favorite neighbor is a little blind girl whose mother is running afoul of local gangsters. The gangsters have been terrorizing the city as "the invisible gang," wrapping themselves up in scarves and trenchcoats so as to be visible to their victims, even though they are supposed to be invisible underneath. Once they discover Nanjo, who is defending his only friends, they beat him and leave him for dead.
An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.
Toshirō Mifune plays a young idealistic doctor who works at his father's (Takashi Shimura) clinic in a small and seedy district. During the war, he contracts syphilis from the blood of a patient when he cuts himself during an operation. Treating himself in secret and tormented by his conscience, he rejects his heartbroken fiancée without explanation.
