Milan Spasić
According to Interpol, over ten thousand refugees of minors without parental care are wandering today in Europe, half of which are on Italian roads. "Despite the Fog" is a movie story about one of them. In short: Ali-Musa Sarhan, a refugee whose parents drowned while traveling by rubber boat on the Italian coast in search of a better life, is accepted by family, husband and wife who have lost a child. They are trying to find solace in little Arab and a sort of replacement for their early deceased son, Mark. Valeria (Donatella Finokjaro) and Paolo (Giorgio Tirabasi) are increasingly confronted with resistance from the environment and their own family, who do not accept their decision to keep Muhammad - It is also a story of a world that is increasingly sinking into xenophobic fog.
"Love Stars" is a film about loneliness, growing up and search for love. Laza is a romantic 20 year-old, who after being isolated a long time, comes to the city. There he gets to know a group of young voyeurs, led by a 50 year-old, with classy attitude and manners (the Count). Laza joins them and during the course of film that simple group of voyeurs becomes a witness of the whole state of spirit dominating in our everyday life. By the irony of fate, on the end Laza's dreams still come through.
The film takes place in Belgrade in the mid nineties of the twentieth century, when the brutality and violence are becoming part of everyday reality. A series of separate stories each linked inheritance situations. The painful atmosphere of increasing brutality from which you can not see the output as the main motiv is repeated in the question of accountability: "Who is guilty?"
Zdravko Čolić is the biggest pop star in Yugoslavia. We follow him during his "Traveling Earthquake Tour", lerning who is the man behind the microphone, dancers, glittery suits... and in front of the audience.
Dealing with his customers with an open heart a car mechanic named Života goes through many adventures. Some are funny, some are sad, some reveal beauty and others human misery. In the end he gets tangled up himself, and not without bitterness he tries to change his ways, trying to become like his rival across the street, which has adapted to modern times: strictly business. But, people who come to him need him just the way he is.
Two men, who have been fighting on the enemy sides in WWII, meet in the jazz club twenty years after. Mladen, who was a partisan at the time, recognizes a familiar face of a man whom he was supposed to shot, but missed on purpose.
