Miloš Tanasković
Two young people learn about the closely guarded secret of the existence of life after death and the hell in which parallel life flows. On Friday the 13th the only day of the year when the portal between the two worlds is opened they enter to save their grandmother and defeat evil. And in hell, the son of the devil Gojko gambles until his father calls him panicked because their existence is called into question.
Short film prologue to the upcoming feature film "Kingdom Lost".
Belgrade, 1999. People go in and out of cafés, and lively conversation echoes all around. As if no one expects the NATO bombings. As if they never even started. But there is tension nonetheless, behind the eyes of people who suppress their fear at any cost. It is in this time and place that Ana, Sloba and Bojan construct their own sense of normality in order to retain their sanity. Three ways to deal with fear. One random sky above.
Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.
When seven-year-old Julia's parents go out and leave her at home alone, she opens the door to a suspicious stranger. Six months later, the consequences of this launch Julia and her friends on a breakneck quest to save her family. In the course of this she becomes aware of how the world works and the place she and her family occupy in it.
Trouble usually starts when the power falls into the wrong hands. That's how the book that hides an ancient evil fell to Stanislav. It does not matter whether Stanislav is a nice guy who helps old ladies cross the street, a psychopath, nerd, or a blood-thirsty young man.
