Monique Mercure

At 47, Julien is an eternal misfit with no real job. But now that he has published an autobiography recounting his childhood memories, a complicated relationship with his mother and troubling family secrets, success is knocking on his door. Julien and his mother have cut ties a long time ago and she doesn't know about the book. Living a sad and miserable life in a retirement home, she renews contact with her son to make up for lost time. But is that all there is to it?

In the old industrial neigbourghood St-Henri, the young and colorful Clara meets a clueless Latino-american man searching for the house of the book Bonheur d'occasion, written by Gabrielle Roy.

To save his best friend, Louis-Bernard Lapointe has to transport himself to a parallel world to find the 'Key of Possibilities', a magical and legendary object that allow his user to visit an infinite numbers of universes where everything is possible.

Providence is a Canadian French language drama television series which aired on Radio-Canada since January 4, 2005.

A reporter goes to a mysterious village to investigate mysterious disappearances until one night, his friend gets abducted and every citizen wants him dead.

A coming-of-age tale centered around Hannah, a young girl who is living a troubled family life. Set in 1963, Hannah develops a fascination with Jean-Luc Godard's then-recent film "Vivre sa vie". As she begins to model herself after the film's lead role, Hannah slowly begins to explore the confusing nature of her sexuality.

British-Canadian light romantic comedy film set in a dying Saskatchewan town. Bank branch manager, Pincer Bedier, dreams of reviving the town when one day a beautiful young woman's car breaks down and she becomes stranded until it can be repaired. She is convinced by the banker to take on the duties at the local hardware store to pay for the parts for her car and soon a romance between the two develops.

One of Canada's most remarkable families works tirelessly to aid displaced persons and refugees during the Second World War.

Blank-faced bug killer Bill Lee and his dead-eyed wife, Joan, like to get high on Bill's pest poisons while lounging with Beat poet pals. After meeting the devilish Dr. Benway, Bill gets a drug made from a centipede. Upon indulging, he accidentally kills Joan, takes orders from his typewriter-turned-cockroach, ends up in a constantly mutating Mediterranean city and learns that his hip friends have published his work -- which he doesn't remember writing.

A drama of manners, spiced by light moments, describing the "love stories" of a mother and her daughter. The two women spend a summer together. Madeline, the mother, a professional, independent woman, begins a romantic relationship with an engineer after ending a previous relation. For her part, Renée, her 20-year old daughter, tries to see her father again and dreams of stable love.

In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.

La quarantaine is a Canadian film comedy-drama first released in 1982, directed by Anne Claire Poirier. The film stars Monique Mercure, Caroline Beaudoin, Roger Blay, Benoît Pellerin and Louise Rémy. It has also been released under the title: Beyond Forty.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Twins Etienne and Andrew are separated at birth--an error that years later will wrench apart two loving families.

First of all, "La chanson de Roland" is a great film. But, unfortunately, it's quite an unknown one. Unlike other "medieval" films (e.g. Anthony Mann's "El Cid") there's no "sword-battle-american-pulp-shit" stuff, but a hard intellectual effort in order to offer us a realistic version of the European Middle Ages.

The wife of photographer J.A. Martin decides to go with him in his tour of the hard Canadian countryside at the turn of the century. She hopes the intimacy will revive their marriage.

A television host tries to react to the process of alienation that the public is subjected to from variety shows.

Louise is a professional photographer and very successful in her job. But her father who had disappeared for many years resurfaced. He is very sick and would like to see his three daughters again. At the request of her father, Louise hesitates and then slips away. The reappearance of his father poses problems even in her life as a couple.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

An acerbic and surreal comedy about marriage and married life.

Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.

A young boy learns the rituals of what his father and his friends perceive as manhood on a weekend hunting trip.

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business. Mon Oncle Antoine is Director Claude Jutra's masterpiece: A poignant, starkly honest, but humane film, shot through with authenticity from beginning to end. Realized with an unflagging artistic vision, Mon Oncle Antoine poetically portrays a young boy's coming of age, vividly capturing the Quebec mining town in which he lives.

The lives of a businessman and his family begin to spiral downward after he has an affair at an insurance convention.

An indecisive young woman with an abnormal devotion to her father can't decide on which of her two boyfriends she should end her relationship with.

A young Jesuit missionary reflects on his life and his faith while awaiting his execution at the hands of the Native Americans he came to convert.

Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.