Montserrat Prous
A plumber rejects many sexual propositions from his clients for the love of his wife. But one day, when he gets home, he finds his wife with another man in bed. From then on, the attitude to his clients will change radically.
This movie is the first of a trilogy that Sebastián D'Arbó, a specialist in parapsychology, filmed on occult topics. The second film is El ser (1982) and the last one Más allá de la muerte (1986).
Transylvania. Seventies. Mina (Susana Estrada) and Lucy (Veronica Miriel), two friends very attractive, they are mysteriously drawn into a surprising and terrifying story whose protagonist is Jonathan Dracula (Carlos Benpar), a direct descendant of Count Dracula.
According to legend, a group of women escaped from Atlantis just before the destruction of the continent. They took refuge on a mysterious island, and founded a kingdom. Men who dared approach the island, were devoured by these sexually voracious Atlanteans, and thus they were called "gobblers".
An old witch seeks vengence through the daughter of the politician who had her thrown in jail. Soon the little girl's head is spinning around, and an old priest is called in to perform an exorcism.
In medieval France, traveler Pygar tells he-man Karzan (Maciste in the French version) of his recent journey to a place called Antigua, and of its entire community of Amazons promising undreamed of sexual satisfaction to any man who comes upon them. More importantly, Pygar tells of a fortune in gold. Karzan/Maciste, is persuaded to undertake the journey in search of riches, unaware that Pygar is in collusion with the Amazon Queen to actually deliver Maciste as a slave stud to help rejuvenate the race.
Arriving at a copper mine in South America, Jonathan (Chris Mitchum) arrives and comes into conflict with the brutal mine manager.
Wal Davis takes turn as detective after a series of brutal murders rock a small town. He even wakes up next to the bloody corpse of the girl he spent the night with.
Amid the craggy, dusty hills of southern France (or is it northern Spain?), a woman screams in the night. Gorgeous Melissa Comfort (Mona Proust), a wealthy heiress confined to a wheelchair since birth, cries out in her nightmares, terrified of a dream that comes night after night. In this night terror, she's 10-years-old. Running from a man who may or may not be her father.
Linda comes to the big city in search of fun and excitement. What she finds is exploitation and abuse at the hands of a succession of sleazy guys. Searching for love, she enters into a lesbian relationship with a beautiful countess, discovers drugs and swingers' parties and starts acting in porno movies. She also begins to write a secret diary... With a cast of some of the most stunning Euro actresses of the period, wall-to-wall sex and nudity, pot parties, porno shoots and a psychedelic soundtrack, this is a gem of 1970s exploitation cinema from Jess Franco. Street scenes shot in Benidorm (Alicante, Spain) and Las Palmas (Gran Canaria, Spain).
The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.
Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!
