Nader Fallah
Through a mysterious book, Lily discovers that she and her family have lived in many times and places, and now it is Lily's turn to decipher the book and find a valuable painting of her ancestors to make a choice that gives meaning to all these lives and...
The film A Shadowless Man in the Social Genre, produced in 1397 and filmed in Iran and Spain. The director of this work, Alireza Reisian, went on to make a film without shadows after the films "Forty Years" and "The Age of Love". A Shadowless Man was screened at the 37th Fajr Festival. The story of this film deals with the emotional and marital relationship of contemporary man, who has a special look at social problems these days. The film's synopsis states that filmmaker Mahan Koushiar decides to make a documentary about a serial murder, but his life is affected.
In the blood is a film in the drama genre directed by Siavash Asadi, produced in 2017. The film was screened at the 37th Fajr Film Festival and was nominated in three categories. Amin Hayaee, who plays the lead role in the home, has also acted in films such as Ms. Yaya and Sholavar. In the summary of the story of this film, it is stated that Zahri will come to make it! If he doesn't ... Reza, after working in Japan for eight years, returns to their neighborhood called Darkhongah ... About the movie The film "In the blood" directed by Siavash Asadi was made in 2017. This film is a product of Iran in the family and social genre. In this film, Amin Hayaee, Jaleh Sameti, Mehraveh Sharifinia, Mahmoud Jafari, Mansour Shahbazi, Fatemeh Morteza, Afshin Sangchap, Jamshid Hashempour, Nader Fallah, Pantea Panahiha have performed.
The adventure of a plane crash with passengers who have different secrets; the secrets that are not supposed to remain hidden forever...
A free adaptation of the classic William Faulkner novel, AS I LAY DYING follows four siblings - three brothers, accompanying their only sister - as they drive to the south of Iran with their newly-deceased father's body. Their father's will demands that his body be buried in a small, faraway village, a place none of his children have ever heard of.
After having medical problems, and after a long time, Mina becomes pregnant, but she feels ignored by her husband, Hesam. Since he has become concerned and involved with the personal and family problems of his colleague Shirin, who has recently divorced from her husband...
Tomorrow is Samira's wedding ceremony and Bahar and Parisa are shopping excitedly. But at night somebody calls and tells them that the bride is dead and the wedding has been called off. They are both shocked and they cannot believe what they have heard, so they go straight to their friend's fiancé, Mansoor, to find out about the cause of her suspicious death.
An orange Chevrolet Impala drives across a cemetery towards an abandoned shipwreck in the middle of a desert landscape. It is the 22nd of January, 1965. The day before, the Iranian prime minister was shot dead in front of the parliament building. Inside the wreck, a banished political prisoner has hung himself. The walls are covered in diary entries, literary quotes and strange symbols. Can they help Police Inspector Babak Hafizi in his investigations? Will they shed any light on why there is always an earthquake whenever somebody is buried in this desert cemetery?
Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.
After an unexpected incident happens for a middle-aged man's wife's corpse, he gets very depressed, anxious and violent.
A thief comes out of prison and begins searching for his sister. Along the way, he meets another thief, a girl, they work together to gather money, but things don't go well.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film's mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions - instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
An ex-fireman returns to his home country Iran after a decade-long absence, only to have his old enemy resurface and steal away what he treasures most - and now he'll stop at nothing to exact revenge.
