Nader T. Homayoun

"Allow me to be your husband." Not only does Alix Saint-Cast, who has Alzheimer's disease, recognize her husband Octave two days before her Golden Wedding, she has also fallen in love again. Their new beloved is Farhad Mozafari, Iranian, also suffering from Alzheimer's disease and can not be separated from Alix. So Farhad has to come with son Iradj and his little daughter to the stately home of the Saint-Casts. However, they are only gradually aware of the unusual family encounters that newcomers have accepted.

While supposedly taking mud baths in Korea, the paterfamilias of a family from Tehran’s Grand Bazaar dies of a sudden heart attack in Brive-la-Gaillarde. His wife and his oldest son travel to France to bring his body home and to investigate the circumstances of his death.

Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time. When she tries to address the subject, neither her mother nor her husband give her a chance to speak.

Ebrahim leaves his family and tries out his luck in Teheran. But in this urban jungle where everything's for sale and anything can be bought, dreams rapidly become nightmares. Caught up, in spite of himself, in a trafficking ring, will Ebrahim find an opportunity of escaping?

Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.