Nahuel Pérez Biscayart
Inés works as a dubbing actress and sings in a choir in Buenos Aires. After a traumatic experience during a holiday trip, she develops a sleep disorder and starts suffering from very vivid nightmares. At work, the studio microphones pick up strange sounds coming from her body, threatening her career and her singing. Inés becomes paranoid as she has increasing trouble telling what is real from what is not. She begins to entertain a dangerous idea: the characters in her dreams are trying to take over her body.
video by Eduardo Williams with Jared Vargas and Marcostone cat footage by Nahuel Perez Biscayart
1942, occupied Europe. Gilles Cremieux, a Belgian of Jewish origin, once in a concentration camp, pretends to be a Persian - for him this is the only opportunity to stay alive. This lie, indeed, saves him from being shot, but Gilles does not yet know what price he will have to pay for this salvation. German soldiers bring Gilles to Klaus Koch, a cook in a concentration camp who wants to leave for Iran and open a restaurant there as soon as the war ends. Koch is looking for a real Persian who will teach him how to speak Farsi. Thus begins the story of Gilles Cremier and Klaus Koch - a Jew and a German, a prisoner and a jailer, student and teacher.
Silvia is an introspective young girl who is not interested in the daily routine between family and school. Everything abruptly changes when Artur arrives unexpectedly in her class, after being banned from several other schools. Silvia is amazed by the vitality of the boy, who actually suffers from a serious illness – hemophilia. The two immerse themselves in an intense and brief coexistence, interrupted by an accident in which Artur’s bleeds to death. Silvia gets sick and sees her life turn into a strange nightmare. The mourning gradually becomes an obsession, and obsession becomes a goal – Silvia will do anything to bring him back to life.
Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.
In November 1918, a few days before the Armistice, when Lt. Pradelle orders a senseless attack, he causes a useless disaster, but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same. The film largely erased the homosexuality of its hero, that was central in the Pierre Lemaitre novel.
Cast out of his insular community, a damaged and down on his luck man teeters between a life of crime and the path to redemption.
A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.
Robert Beck failed as a musician and works frustrated as a teacher - until he learns about his gifted student Rauli. A musical genius: He sings and plays guitar like a young god. Beck is motivated to help Rauli to become a successful and published musician to fulfill his own long-held dreams of a music career.
Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.
The loss of youth and innocence can be played for comedy or tragedy. The stunning black-and-white cinematography and hypnotic electric guitar that fill "Left Foot Right Foot", as portentous as they are beautiful, are a pretty clear indication which side of the coin photographer Germinal Roaux intends to focus on in his first feature.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.
Searching for a seed, a young man emerges from the underground where he hangs out with his friends. They all embark on a long digestive trip.
A young unemployed man finds work at a nuclear power plant and begins an illicit affair with the fiancée of one of his senior workmates.
The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.
In a small town near a winter resort in the mountains of Argentina, Juana tries to commit suicide but ends up in a coma instead, to the great pain of her daughter Marta. Her other daughter Mercedes comes from Buenos Aires but is less interested in her mother's condition than in possibly getting some of her money. Marta's husband has a great offer for a piece of land owned by his mother-in-law, but can't do anything while she is in a coma. Marta's son wants to travel to Europe but has no money for the airfare, and his sister wants to finally have an orgasm so that she can become less tense and increase her chances of winning a local beauty contest which she hopes will be a springboard for a modeling career in Buenos Aires.
A wanderer named Timothee (Nahuel Pérez Biscayart) arrives in a French village in 1865 pretending to be deaf and mute. He uses tricks to hypnotize a beautiful young woman named Josephine (Isild Le Besco) and takes advantage of her until he is arrested and tried for his crimes.
The story follows the struggles of Arturo, a cab driver who has to find $2000 within 24 hours; his older son, Ramiro, who left home four years ago, has just phoned from Houston asking for urgent help. However, Arturo's wife Irene keeps their savings away from Arturo's reach.
Amas de Casa Desesperadas is an Argentine television series, that debuted on Canal 13 on August 30, 2006. Set in the fictional Manzanares Street, a suburb surrounding Buenos Aires, the series follows the lives of four housewives and the domestic problems and daily mysteries surrounding their husbands, friends and neighbors, which can be more sinister than they appear. The series' tone combines elements of drama, comedy, mystery, farce, soap opera and satire. Based on the American television series, Desperate Housewives, it was developed for Argentina by Buena Vista International and Pol-Ka Producciones. The show’s first season was broadcast by Canal 13 on Argentina, and also by other networks on Uruguay and Paraguay. On October 2006, Canal 13 renewed Amas de Casa Desesperadas for a second season, that will start filming on August 2007.
Lasting tradition clashes with new ideas in director Ariel Winograd's tale of a mischievous pre-adolescent whose family spends their summers basking in the comfortable surroundings of a picturesque Jewish country club. Ariel is a young boy whose family enjoys the high life. When summer rolls around his mother leads an Israeli dance class at the local Jewish country club, and his grandmother seems to have a special knack for always winning at rummy. His sister Natalia is rarely seen without roller skates lest she need to beat a hasty retreat from her overbearing suitor, and his brother David's hormones are raging like a white squall. As Ariel and his friends hop on their bikes and explore the grounds of the country club it feels as if life simply couldn't get any better, but sometimes life in this highly exclusive paradise isn't all it's cracked up to be.
Epitafios is a 2004 13-episode, Argentinian crime fiction TV mini-series with the tagline: El Final Está Escrito ... The End Is Written. The series, which takes place in an unnamed South American city, was shot in Buenos Aires. The series was produced by HBO Latin America and Argentinian TV/film company Pol-Ka Producciones. It was written by Marcelo Slavich and Walter Slavich and directed by Alberto Lecchi and Jorge Nisco. Although all of the actors were Argentinian, a neutral Spanish was used instead of the local Rioplatense Spanish, avoiding colloquialisms such as the local vos in favor of the more common tú. The series debuted in Australia on SBS in May 2007 under the title If The Dead Could Speak. It premiered in Poland on Cinemax on November 6, 2008. In Germany, it premiered on November 6, 2009 on pay TV channel FOX under the title Epitafios - Tod Ist Die Antwort.
A Paris Bataclan attack survivor tries to overcome psychological trauma.
