Nasir Khan
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system (Mumbai's Dabbawallahs) connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
Three brothers are separated after their parents are murdered by a gangster. Years later, they find their paths intertwined around a family song.
Widowed Govindi lives a poor lifestyle in Haripur along with two sons, Gungaram and Jumna. While Jumna is studious, Gungaram is the opposite, but has a good heart and decides to use his earnings to ensure his brother gets a decent education. After her employer, Hariram, accuses Govindi of theft, the shock kills her. After her passing, Gungaram works for Hariram while Jumna goes to the city to study and becomes a police officer. His first assignment is in Haripur, where he will be forced to confront Gungaram, who is now is the leader of a dreaded band of killer bandits.
The narrative deals with the dreams and aspiration of a 16-old-girl, Sheetal (Meena Kumari) caught in the vortex of uncertainty and morality. Desperate for engagement with her neighbour, Shravan (Nasir Khan) who is equally drawn towards her but she is forced into meaningless wedlock with a sick old man.
Twelve years ago, Shreenath's father was accused of murdering a woman and disappeared into the night. He hasn't been seen since, and is now believed to be dead himself. Hoping to prove his father's innocence and discover his ultimate fate, Shreenath returns to the scene of the crime. He discovers that a crumbling mansion and its labyrinth of underground tunnels are the hunting grounds in a search for a ring containing the priceless Nagina stone. He also meets Mukta, a beautiful and enigmatic young woman. Can she help him unlock the mystery amongst the ghostly ruins?
The year 1947 saw the independence of Pakistan. During this time, the Indian film industry was segregated and the only film production centre left in Pakistan was at Lahore. With the industry reeling in its infancy, it was hard to work on film productions that had been initiated before the independence as many of the working filmmakers and actors had left for or stayed back in India.
