Nathalie Coupal
At the Palacio, an all-inclusive resort in the carribean, Mike's arrival complicates the normal flow of operations. His voracious appetite, mysterious magnetism and unexpected miracles bring him the curious, among which he makes three friends and meeets a few admirers, a jealous salsa teacher and an enamored octopus. All of whom will accompany him in a gargantuan downward spiral mixing civil unrest and intestinal meltdown; a change of administration held up by the most attentive staff in the world.
Marie, a Canadian editor specialized in testimonies of Genocide survivors, starts to receive anonymous large envelopes with the narrative of Ali, a young Palestinian who grew up in a refugee camp in Lebanon. Intrigued, Marie investigates the origin of these envelopes and finds out who is the anonymous writer. This is how she establishes a connection with Joseph, a Lebanese worker hired to paint the offices. A strange relation develops between these two persons who come from very different worlds. But after a while, Joseph abruptly disappears and Marie, overwhelmed by the mission fallen on her, starts a journey into the past, through a small village in Lebanon, in the heart of a bloodthirsty culture were lies the key of all the enigmas.
Suzanne is nearly fifty. She lives alone with Raphaëlle, her twenty year old daughter. Despairing that she will never again find love, Suzanne resolves to have plastic surgery done on her breasts. Raphaëlle is disturbed by her mother’s decision, while Suzanne worries about her daughter’s romantic life.
Native Americans clash with the Canadian government as they struggle for independence in this factual Canadian drama set in Quebec during the summer of 1990. Eddie Laroche, a rebellious native leader spawned a national crises when he and his supporters declared the independence of Aki territory in a far-flung area of northern Quebec. He refused to negotiate without the presences of television cameras to record his people's plight. Jean Fontaine was the reporter assigned to the story and much of the film is told from his viewpoint. To reach Laroche's land, negotiators, government officials, and the film crew had to travel by boat. Fontaine is initially cynical and reluctant to do the story, but after he spends time on the boat interviewing it's passengers, his cynicism has dissolves and he realizes he is faced with the presentations of a terribly complex situation. His dilemma provides a main focus for the film.
Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves
Jean-Pierre, a young photograph, takes a photo of the same street corner every morning for an entire year. This is to help a friend with the writing of a novel. But Jean-Pierre is not really respecting the rules of the game...
