Ng Wai
The lead actress is Shu Pei Pei, who is quite forceful as a no-nonsense fighter decked out in an array of colorful swordswoman fashions. I've seen her in nine other films, although I don't recall any which featured her in an action role before. This one is the very last film she did, according to her IMDb filmography. It came at the very end of the Shaw Bros. swordswoman cycle, which had been dominated by Cheng Pei Pei and Shih Szu up to this time. Miss Shu is very good and I wish she'd played more roles like this. Her character is Miss Ba, whose brother is involved in some shady deals with the "rascals" from the title village. When he turns up dead, with a note implicating the film's hero, Luo Hong Xun, Ms Ba vows revenge and goes after Mr. Luo, even though she knew her brother was being used by the bad guys. Eventually, Miss Ba and Mr. Luo team up to seek out the real culprits, culminating in a stunning series of fight sequences in the "village of tigers."
Teddy plays some physically deformed musical genius named Wu Sheng who falls for a blind girl named Jui Fang (Chin Ping). Is love really blind? According to Wu Sheng, probably so, but when Jui Fang is on the verge of regaining her eyesight from an operation, Wu Sheng packs up and leaves the country for fear of Jui Fang disowning him once her eyes gets a look at Wu Sheng.
A melodrama about the blossoming love between two music students returning home from abroad and planning to wed. However, both of their parents don't know about it and when they find out, all bliss blasts away as social gaps become an issue.
Mysterious songstress Fang Biyu is loved by two brothers, Qiwei and Qijun. After freeing herself from the clutches of gangsters, she gives her heart to Qiwei. Tragedy comes knocking on the door when one of the gangsters comes out of prison, and Qiwei dies in a car accident. Blamed for her husband's death, Biyu is forced to go back to singing to make a living, but hopes to reunite with her son and return to the family one day.
Lo Wei remains internationally famous for directing Bruce Lee and Jackie Chan's first major movies. Cheng Pei-pei is now internationally famous for her superlative role in Crouching Tiger Hidden Dragon. But both were superstars in Hong Kong for decades prior, so any teaming of the superlative "swordswoman supreme" and the vaunted director/writer/actor is cause for celebration. Kao Yuen joins them as a noble swordsman, and watch, too, for award-winning actor Ku Feng as the "Frontier Terror" in the evocative and effective "Martial Art World" adventure.
A sensitive love triangle helmed by one of Shaw era's top directors, Chin Chien. A psychiatrist taking a room at an old friend's apartment soon discovers an insane woman living in a neighboring flat. As the doctor gradually heals the woman he also falls in love with her. The problem arises the friend's daughter confesses her love to him as well. Misunderstanding and mistaken passions soon lead to broken hearts and an emotional confrontation to the love triangle.
Lone swordsman Jiang Dan-Feng (Wong Chung-Shun) is ambushed by a pair of bandits and quickly despatches them. One of them, as he is dying, asks Jiang to take his personal effects to his sister. This being a Wuxia film, our hero is bound by a strict code of honour, and he agrees. The bandit’s sister, Xiu Xiu (Shu Pei-Pei), is surprisingly forgiving and tells him that he got mixed up in a bad crowd of robbers before he died. As it happens, these self-same bandits are threatening to tear up the village at any moment, and Jiang prepares to defend it despite being despised by the town folk for killing Xiu Xiu’s brother.
Lo Wei was twenty years into his notable career when he wrote, directed, and co-starred in this tale of a murdered lord, a hired killer who unknowingly becomes friends with his intended victim, a vicious bandit chief, and a kind blind woman. Star Yueh Hua would go on to an exceptional acting career, while Lo himself would give both Bruce Lee and Jackie Chan their "big breaks."
Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."
Huangmei Opera movies like The Pearl Phoenix are unique to 1960's Hong Kong culture, a product of the Swinging Sixties but considerably more in touch with their Chinese roots. This one is complete with a gender-bending tale where the male lead is played by female and the female lead poses as a man, plus movie queen Li Ching and the singing voices of Ivy Ling Po and Jing Ting. Sit back and enjoy!
The mythological tale of a quest from China to India to bring back Buddhist scriptures, famous for the adventures of Sun Wukong, the notorious Monkey King.
Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?
The tragic love triangle of early 20th century Peking Opera star Chiu Hai-tang, his beautiful stage partner, and the warlord who forces himself between them, has been a favorite with Chinese audiences for decades.
Taiwan's submission for the Academy Award for Best Foreign Language Film in 1964
The film tells the story of a woman who grew up in China's warlord era and suffered from war and love failure.
