Ng Wui
Pao Lung-Sing, a descendant of the famous Judge Pao Ching Tient, is a 9th degree corrupt judge (lowest degree) who changes his tune when he tries to champion a woman Chi Siu-Lin, who was framed for killing her husband. As a result, Pao is forced to flee and through a series of events (often hilarious) becomes a 1st degree judge and comes back to wreak havoc and justice on the guilty.
A street racer encounters a mainland courtesan under an extraordinary circumstances. A moment of Romance between them follows after.
Former wife of Chow Yun Fat, Candice Yu On-on stars in this gauzy softcore flick directed by Chor Yuen. Chun (Yu) is a high-class society woman who secretly dabbles in every sort of vice, from arranging murder to kidnapping young girls to serve as sex slaves for her brothel. One such lass is the beautiful Ai-nu, who manages to fight her way out of getting gang raped by Chun's minion. When she is recaptured, she promptly kills one of her first customers. Ai-nu's spunk intrigues Chun, prompting her to not only cover up the lass' crime but also seduce her as well. Detective Ling Yun (Alex Man Chi-leung) soon suspects something is amiss and begins investigating Chun's brothel over the objections of his superiors. When Ai-nu falls for Yun, Chun orders her lackey/lover Yeh to kill him. Instead, he tries to seduce Ai-nu himself. ~ Jonathan Crow, Rovi
A combination of God Of Gamblers and The Sting. Git is a young mechanic working for his uncle in a small garage. Git's cousin is tricked out of a large amount of money by a card sharp, and Git promises revenge. But the card sharp, called "Card Devil", works for the ruthless gang boss Kwok, and Git is also tricked. Having pledged the garage against the debt, Git desperately seeks the assistance of the one man who is up to the task of tricking the crooks, Ghost Eye.
Chen Kuan-Tai is Big Brother Cheng, a former refugee who runs a local teahouse in Hong Kong. Respected by his peers, Big Brother Cheng runs the teahouse - and unofficially the neighborhood - with a firm righteous hand. However, when the triads come calling, Big Brother Cheng finds out respect and common decency may not be enough. The triads use underage kids to terrorize the teahouse, and since the law won't do anything, Big Brother Cheng may have to step in and take care of it himself!
As the Heng Seng Index reaches unprecedented heights, people from all walks of life go stock speculation crazy. A security guard and his landlord learn firsthand that money is ‘Easy Come, Easy Go’ as their fast fortune disappears overnight in a Macau casino. Meanwhile, greedy neighbours and infidel couples cheat each other and even blue-collar workmen dive into the frenzy. Inevitably, the market tumbles as do the people’s bittersweet lives. A hilarious but ironic tale featuring some of Shaw’s biggest stars.
As the Cantonese 'Jane' Bond films evolved, the genre became less Bond-like, cutting down on the staging of fights and the flaunting of secret weapons. The heroine(s) remained an action figure, complete with quick wits and agile prowess, but the stories increasingly took on the jewel theft plot and the twilight world of decadent deviance. The Mysterious Sisters is no exception as director Ng Wui renders high class thefts in the style of the classic French film Rififi, and long stretches of action that unfold without dialogue.
A sculptor and his girlfriend conspire to kill a rich young relative to take his family fortune but things don't go as planned.
The Ten Brothers return as the Lake Devil is plagued by a monster fish. To settle the old score, Marshal asks Shrimpy and his ten sons to exterminate the fish. Excelled on land, the ten brothers find themselves quite useless in the water.
Wong Chat is jobless. He is forced to become a burglar. He breaks into Han Siu-yu and her boyfriend Cheung Wai-lim's home, but it is just the time when they return. Wong hides in the closet. He eavesdrops that Han and Cheung are a couple, but Han is forced to become the tycoon Chan Koon-kau's mistress for a living. Suddenly, Chan returns, and Cheung hides into the closet too. Wong and Cheung meet in the closet and become friends. Wong is righteous and promises to help Han to escape from Chan's control. Wong and his neighbour Yeung Oi-lin disguise themselves as a pair of Singaporean rich couple and attend a banquet at Chan's home. They want to steal back the document that Chan threatens Han with. But they also find evidence of Chan's drug trafficking. When Chan find out about the stolen document, he confines Cheung and Han and kidnaps Wong's children. But Wong refuses to surrender. During their confrontation, the cops arrive after being informed by Yeung and arrests Chan on the spot.
This tale of familial warfare and sacrifice takes place in hard-pressed Shanghai at the end of the 1940s. Hu Zhiqing can barely support his wife and children, and his situation is worsened by the unexpected arrival of his mother, brother and sister-in-law. When he is fired by his unscrupulous boss, the whole family becomes embroiled in one emotional/economic struggle after another.
Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.
The Thunderstorm is a 1957 Hong Kong drama film directed by Ng Wui and starring Bruce Lee based on the play Thunderstorm by Chinese dramatist Cao Yu.
In a large metropolis, three young people are trying to make ends meet and live on the roof of a building they call their seventh heaven.
Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.
Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.
After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. This poignant father-son comedy shows a parents' willingness to carve out a good future for their children by any means necessary.
A prodigal son is married to a woman his mother dislikes. The wife is then expelled from the family circle and forced to become independent.
Fong Yim-fun puts on a tour de force as an ill-fated woman, separated from her lover through an arranged marriage to the terminally ill and impotent son of a warlord. The power struggle within the family led to an inevitable murderous consequence. Seven years later, the heroine's ex-lover, now an ambitious detective, is keen to solve this almost forgotten case, only to discover that he is also part of the enigma.
The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.
Fong Yim-fun puts on a tour de force as an ill-fated woman, separated from her lover through an arranged marriage to the terminally ill and impotent son of a warlord. The power struggle within the family led to an inevitable murderous consequence. Seven years later, the heroine's ex-lover, now an ambitious detective, is keen to solve this almost forgotten case, only to discover that he is also part of the enigma.
When both sides of the family move in with a married couple, chaos reigns.
A concubine and a cousin attempt to poison a rich man's son to gain the inheritance. But he survives and must fight back.
A wartime drama set in Hong Kong during the Second Sino-Japanese War, when people fled to Hong Kong from Mainland China.
