Nicholas Selby
Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.
A black soldier in World War II England begins an affair with a white woman whose husband is a soldier currently overseas in battle and in doubts of her relationship with him as she discovered he had been having an affair with his secretary.
A version of Dennis Potter's play for television, remade shortly before his death as the original 1960s version had been wiped.
A Government Department with data on us all in its computers is not functioning quite as its ex-Head intended. Frank Strange sets out to clear his own name and finds he is investigating a murder.
Tragic Anna leaves her cold husband for dashing Count Vronsky in 19th-century Russia.
Based loosely on the real-life story of the World War I spy. The exotic dancer uses her contacts in European high society, along with her seductive charm, to collect military secrets during the war. She successfully plays both sides against each other until at last her deceptions catch up with her.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.
