Nikifor Kolofidin

A young heir of a big fortune Sergey Privalov is coming back to his native town after a long absence. Having visited his owned plants, he breaks out with the idea to rebuild the industrial processes, improve the life of workers, and build schools and hospitals. Though, his interests collide with the interests of local big wigs, to whom the existing situation suits perfectly

7.2/10

“It is simply a fortunate coincidence that this film survived years of censorship during the Soviet ’60s and was finally released at the end of the ’80s. The director made it together with his students, and this cover of being a film school project made the entire production possible. The film presents the horror of war as an existential drama, which radically differs from the traditional Soviet approach, in which war is presented almost exclusively through the prism of patriotic pathos.” –Sergei Loznitsa

7.3/10

Based on the novel of the same name in the verses of Yevgeni Dolmatovsky. Together with hundreds of other boys and girls, Komsomol members Kolya Kaitanov, Slava Ufimtsev, Alyosha Akishin, Lyolya and Masha came to the construction of the first stage of the Moscow metro. They are united by the romance of the feat, the desire to always be on the most difficult and dangerous site. A romantic and heroic story about the Komsomol members of the 1930s, about the fate of the generation that endured the construction of the first stage of the Moscow Metro, the war, the post-war reconstruction of the country.

7/10

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

7.2/10

Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary. Based on Gorky's novel, filmed in the silent era by Pudovkin.

6/10