Nina Hansen
Set fifteen years after the original film, The Exorcist III centers around the philosophical Lieutenant William F. Kinderman who is investigating a baffling series of murders around Georgetown that all contain the hallmarks of The Gemini, a deceased serial killer. It eventually leads him to a catatonic patient in a psychiatric hospital who has recently started to speak, claiming he is the The Gemini and detailing the murders, but bears a striking resemblance to Father Damien Karras.
Tony Manero is a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.
A small-town actress (Susan Strasberg) meets a New York producer (Henry Fonda) and playwright, and replaces their show's moody star (Joan Greenwood). This film marked Christopher Plummer's film debut, and was a remake of the 1933 “Morning Glory” with Katherine Hepburn. Douglas Fairbanks, Jr., and Adolphe Menjou in the corresponding three lead roles.
The portrait of Russian composer Peter Ilich Tchaikovsky focuses on his failed love affair.
