Ninón Sevilla
One could describe Lost as a family documentary in the first person; but also as a film that goes through a good part of the history of Mexican cinema. Viviana García Besné tells how it was that her family, ‘the Calderóns’, played an essential role in the production, distribution and exhibition of that primitive “other Hollywood”. Lost in Time is a touching film because of those surprises the director finds each time she comes across with that invaluable family footage, which was more forgotten than lost; or when her relatives tell stories she thought to be hilarious and made up, and which she later finds out to be true (like a shattered romance between her grandmother and Ricardo Montalbán, for instance). García Besné makes the most out of the contrasts that surface between the different visual formats she uses and all that found footage she finds. Lost in Time is a master class of cinema, any way you look at it.
La Usurpadora is a Mexican romantic drama telenovela produced by Salvador Mejia Alejandre and originally broadcast on Canal de las Estrellas from February 9 to July 24, 1998. It starred Gabriela Spanic and Fernando Colunga, and was based on La Intrusa, a novela originally broadcast in Venezuela which was its self a remake of Radio Caracas Television's 1971 telenovela La Usurpadora, which was starred by Marina Baura and Raúl Amundaray. This was one of the last telenovelas to feature Libertad Lamarque, who here portrayed the character of Abuela Piedad Bracho. The show's premise revolves around a pair of twin sisters who were separated when they were young, and as adults the younger sister is forced to act as a "replacement" for her wealthy twin who wants to temporarily leave her husband and his family to enjoy a life of luxury with multiple lovers. The telenovela had huge success in Mexico and has been exported and ported to various languages across the world.
One night in the cabaret, a drug trafficker places drugs in a man's pocket without him noticing.
Semi-employed street musician butts heads with his wife and grown(ish) children because of his irresponsible lifestyle. Then he lucks into a cushy government job.
The struggle between two rival families brings many complications into the life of a people. The priest, with the agreement of the women, get a strike of crossed legs until peace is a fact.
Laura Gayán, a young singing student, is secretly in love with Carlos, Count of San Telmo, and she lives in his palace because his father is the porter. Stephen, a fellow student, drinker and womanizer, attempts to seduce her, taking advantage of the girls' sentimental bad situation due to the recent news of the wedding of his beloved. Eventually, Laura gets a contract to make "small forms" and, against her heart, she married Stephen. Meanwhile, dissolves the marriage of Charles ...
A freed slave, who is descended from a murdered witch, plots revenge with her grandmother on a sugar plantation's inhabitants. Complications ensue due to her love for the master of the estate.
Lonelyhearts advisor on a tv show becomes feminist icon and movement-leader.
A dramatic encounter between passionate love and fraternal love. Two brothers fall in love with the same woman, played by the beautiful dancer Ninón Sevilla, an orphan they rescued during their childhood. Though she loves only one of them, she decides to give up her happiness rather than destroying the reason of the other she doesn't love.
Fishing-village girl sacrifices her reputation to the local banker to protect her family; fron there, she follows the path of least resistance, but she never forgets the fiance she left behind...
In the port of Havana, two biracial children, Mateo (Ricardo Román) and Caridad (Ninón Sevilla) grow up together. She is the daughter of a white man who died in a shipwreck and of a black laundress of African origin. Over the years, Mateo falls for Caridad, but she doesn't love him back because she has fallen for a Mexican captain, Martin (Pedro Armendáriz), who she happened to meet at the port. The captain also fell in love with Caridad and proposes that they live together and she accepts. Caridad works in a cabaret in the port and the owner, Guevara (René Cardona), feels an attraction for the girl, and in a moment of jealousy, tries to kill Martin. Martin falls into financial trouble and has to mortgage his boat to Guevara. When Martin returns to Veracruz, Mexico, Guevara feels that he's the new owner of Caridad.
Tourist gets bonked on the head, suffers an amnesiac fugue, wanders away from her husband and children, becomes an evil prostitute-y thief-y saloon gal.
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
Saloon singer Aurora is sentenced to two years in prison for a prostitution conviction. When she gets out of prison, she gets romantically involved with Alejandro Luque, the respected judge who tried her case. Aurora and her boyfriend, el Rizos, plan to blackmail the judge. But Aurora gets a change of heart as she comes to know the judge better.
Left alone after her mother runs off with another man and her father kills himself, Elena attempts to make a new life for herself in a new city. Believing he's a friend, Elena goes to dinner with "Pretty Boy" Lucio, but he drugs her champagne and sells her to Rosaura, who runs a brothel out of her nightclub. Elena becomes a sensation as a dancer, but all the while she nurtures plans of revenge against those who have conspired against her.
Famous singer hires a pianist/songwriter on the strength of his compositions, then seduces him away from his fiancee and from the paths of righteousness in general.
