Olga Solbelli
Twenty million dollars are going to be transferred from an Arab central bank to a British oil company. Four among the biggest criminal of the world are in charge to rob it. An undefined intelligence agency tries to stop them. An infiltrator is not sure for who is working. A complicate twist is waiting beyond the corner and will include a love affair too.
Young nobleman Mino lives with his mother and Marta, the housekeeper, in an old, decaying castle. He is infantile and morbidly attached to the weird duo; his only hobby is taxidermy. Laura, Mino's fiancee, is met with jealousy and hatred by the two women, and decides to leave the castle; but Marta sabotages her car brakes and she is killed. Mino takes her body back to the castle. Meanwhile, his mother is violently arguing with Marta, who throws her down the stairs and repeatedly bashes her head on the floor. The distraught Mino descends into madness: he picks up a stripper at a nightclub and brings her home, then strangles her while having sex next to Laura's dead body. He does the same with a prostitute. Marta discovers these murders and offers to help dispose of bodies. A year later, Daniela (Laura's twin sister) arrives at the castle...
Hercules battles to save the population from a giant dragon.
Hans von Arnam travels to a Flemish village to study a strange carousel located in an old windmill that displays famous murderesses and other notorious women from history. Professor Gregorius Wahl, owner of the windmill, warns Hans to stay away from his mysterious daughter Elfi, in order to keep Hans from discovering the horrible secret shared by the Professor and Elfi's Doctor.
In The White Angel, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa return for a new round of trials and tribulations.
Teodora, a Roman courtesan and former slave girl, marries the Roman emperor Justinian and assumes the throne as Empress of Rome. But the divide between nobility and slave is too great. Teodora seeks justice for her people, and revolution and armed conflict erupt in both Byzantium and Rome.
Giorgio Venturini's take on the classic "Man in the Iron Mask" story.
A war veteran visits the families of soldiers who died during the war.
After murdering her illegitimate baby, Isabella (Tania Weber) pins the blame on her innocent cousin Consuelo (May Britt). Despite the strenuous efforts of her attorney-lover DeSylva (Ettore Manni), Consuelo is found guilty and shipped to a penal colony along with several other female prisoners.
L'homme de ma vie stars Madeleine Robinson as Madeleine, who after being abandoned by her lover is forced to raise her baby all by herself. Supporting herself and her child as a prostitute, Madeleine manages to give her daughter an expensive girl's-school education, all the while keeping her own identity and profession a secret. The girl grows up to be an insufferable snob; nonetheless, Madeleine attempts to re-establish a relationship. Things take a sorry turn when the daughter takes drastic actions to defend her mother's honor.
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.
Capodistria, 1915. Captain Nazario Sauro, an officer in the Autrian Navy, is one of those patriots who militate for Italy to enter World War I. When he is about to be arrested by the Austrian authorities he chooses to desert. Once in Venice he enlists in the Italian Navy and becomes an officer in a submarine where his perfect knowledge of the coast of Istria proves particularly helpful. But when his submarine runs aground near the island of Munje, he is captured by the Austrians, sentenced to death for high treason and hanged in 1916.
The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to a baby boy. Giulio's mother is against them: at first she takes her son abroad with an excuse and then has her grandson kidnapped making Luisa think the boy died in a fire.
A doctor saves a woman who was planning to commit suicide and takes her with him during his night shift.
A farmer's daughter falls in love with a sheepherder who raped her.
Progressive schoolteachers Landi and Anna have a profound influence on two of their young students, Mirella and Franco. The two kids are enamored with one another and decide to experiment with some of the knowledge they've gleaned in the classroom.
Sperduti nel Buio was released in the U.S. as Lost in the Dark. The film traces the ups and downs of three Neapolitan street musicians. Vittorio de Sica plays Nunzio, a blind violinist, while Enrico Glori portrays Paolo, a deaf clarinetist. Both are enamored of singer Paolina (Fiorella Berti), the illegitimate daughter of a wealthy nobleman (Sandro Ruffini). Neither Nunzio nor Paolo are aware of the girl's lineage; when Nunzio finds out, he tries all too late to arrange a reunion between father and daughter. Meanwhile, Paolina finds happiness in the arms of a humble sailor. Though it probably wasn't intentional, Sperduti nel Buio has much in common with the 1938 English comedy-drama Sidewalks of London.
Returning home after a night of love spent in a woodman's hut with Orsola, Pietro is arrested by the police for a crime he did not commit. His mother and youngest sister, Rosaria, go to Orsola begging her to provide Pietro with the alibi that will clear him. But Rocco, Orsola's brother, dreading a family scandal, constrains Orsola to silence. Condemned despite his innocence, Pietro escapes from prison, but the police track him down and kill him, and his mother, before the eyes of Rosaria. Years pass, and one day Rocco stumbles upon a half-frozen young woman lying in the snow. He takes her home and confides her to the care of Orsola. Later, yielding to the pleas of Orsola, Rocco and Rocco's son, Salvatore, the girl stays on in the house, and Salvatore falls in love with the beautiful stranger, who is careful to keep the family members from learning she is Rosaria, the grown up sister of Pietro seeking revenge for the deaths of her brother and mother.
During the war, a girl falls in love with a soldier. Having no news from her, she has meanwhile accepted the overtures of an older colleague.
Ernesto is the teacher of the village, he is married and he is dominated by his wife. He has the passion of the theatre and he has written a drama in verse named "Il ratto delle Sabine". Unfortunately he has only an admirer and she is their servant Rosina. When the touring company of Prof. Tromboni arrives in the village, Ernesto decides to let them perform his play, though anonymously. So the day arrives and the theatre is sadly empty. But when the news that the author is the teacher spreads far and wide...
The quiet days of two elderly spinster sisters are changed for good with the unexpected arrival of their nephew.
The famous actor Amedeo Nazzari is forced to stay overnight in a small local hotel because of a car breakdown...
Toto (Aldo Fabrizi), a Roman coachman with an old fashioned horse-drawn carriage who objects to the competition from motorised taxis, doesn't want his daughter Nannarella to go out with Roberto, a young taxi driver. But it is Roberto who helps him when he gets into trouble with a former client, Mary Dunchetti (Anna Magnani), an arrogant singer.
The occupation of Bessarabia by the Russians in 1940 separates an opera singer from her family, leaving her under Bolshevik rule until Romanian troops enter Odessa.
Seduced and abandonned by her fiance, Maria Ferrante leaves home to avoid any scandal. She is trying to find work and place to stay but one misfortune after another comes into her life Venice Film Festival 1940
