Ovidie
Romain, 18, is a sociology student. In rebellion against his native environment and imprisoned in a toxic romantic relationship with a woman who has total control over his life, he thinks he can find in the pornographic adventure a way of emancipation. Instead he discovers a very ordinary environment.
In 1974, the French erotic film Emmanuelle broke audience records: almost 350 million viewers worldwide and a twelve-year run on the Champs Elysées in Paris. After the success of the sexually explicit Last Tango in Paris, Emmanuelle appeared at a turning point in French society: The sexual emancipation following May '68 in France.
The life and adventures of random people in a shit hole of Groland.
May 1, 1999. Romain's first day in an unknown world, that of porn. In this environment, totally in the hands of women, he is one of the only men. Sometimes disoriented, Romain discovers colorful individuals, tired of their lives and their jobs.
Facing the camera, they describe " the horror ". Brutal and unwilling medical acts, performed without anesthesia. The impression of being no more than " a piece of meat ", and the pain, unbearable. " It was no longer a delivery, it was a scene of massacre, " describes a young mother, her voice white. Her testimony, bordering on sustainable, and those of several other women are at the heart of "Tu enfanteras dans la Pain". After investigating the impact of pornography on the sexuality of young girls or the suppression of prostitution in Sweden , the feminist director Ovidie continues to examine the pressures exerted on the bodies of women, this time through the prism of obstetric violence.
The tragedy of Eva-Marree, deprived of her children for prostitution then killed by their father. In a convincing indictment, director Ovidie denounces the abuse of power by a supposedly protective Swedish state.
Never before have we watched as much porn as today yet the traditional porn industry is dying. The arrival of web sites showing amateur clips has transformed the way porn is made and consumed. Behind this transformation lies one opaque multinational.
The story of Lucie, a girl who wakes up at a hotel room naked, and alone. She had spent the night drinking with friends, but her memory is playing a dangerous game she simply cant seem to remember how.
Every year, Bruno makes a tour of all the wine stands, without setting foot outside the Show’s premises and without ever finishing his wine trail. This year, his father suggests they finish it together, but a real wine trail, across the French countryside. Accompanied by Mike, a young, quirky taxi driver, they set off in the direction of France’s major wine regions. Together, they are going to discover not only the wine trails, but also the road that leads back to Love.
How do women in western countries live their sexuality in the age of the internet? Over many years, feminism claimed the female sexual power, rejecting the image of women as sexual objects. Today's younger generations take another approach. Interviews with young women, sociologists and sexologists try to describe what a standard woman is supposed to be today in western countries.
Who is Jean Rollin? A man who has spent his childhood in the middle of some of the greatest intellectuals of the twentieth century. An artist who has worked with Maguerite Duras for his first film. A director's career singular and unique in French cinema, with films overtly fantastic, surreal, poetic - disconcerting. A filmmaker has always murdered by the critics but starting, finally, to enjoy some recognition in France, while many fans worship him already in Europe and the United States. Jean Rollin signs a marginal and unknown work marked by death and nostalgia, and whose main obsession is the time, that of the wandering and dreams. Jean Rollin died in December 2010 at the age of 72. This documentary is the portrait of a real artist, the last surrealist, a poet who created his very own dreamworld. A tribute for a unique director, with testimonials from his closest collaborators.
A young woman inherits the house of Jean Michel but she is haunted by strange dreams and numbers. She has no idea that this is the beginning of the 'the night of clocks', which opened for those who have sinned, the dead which are not dead...
Anna is a young costume designer, focused on her job and wary of getting caught in romantic relationships. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna’s views on love and commitment. For both of them, it’s all about fun.
Jacques Laurent made pornographic films in the 1970s and 80's, but had put that aside for 20 years. His artistic ideas, born of the '60s counter-culture, had elevated the entire genre. Older and paunchier, he is now directing a porno again. Jacques's artistry clashes with his financially-troubled producer's ideas about shooting hard-core sex. Jacques has been estranged from his son Joseph for years, since the son first learned the nature of the family business. They are now speaking again. Joseph and his friends want to recapture the idealism of 1968 with a protest. Separated from his wife, Jacques strives for personal renewal with plans to build a new house by himself...
