Paran Banerjee
Bhuban Babu buys a Smart Phone but faces problem learning to use it.
Good friends Biltu and Rana were publicly harassed due to their habit of stealing and dealing black tickets. They flee to a forest and summon the God of Ghosts.
Feluda gathers everyone in Bhujanga Niwas and tells everyone that Bilas Majumdar is actually Mr. A. Sarkar, a smuggler by profession. Feluda tells them that the actual Bilas Majumdar had died three weeks ago in a hospital in Nepal. Feluda explains that Sarkar had actually attempted to murder Mr. Sen in Nepal. Rupchand Singh, the driver of the car Sarkar was in, started blackmailing him, so Sarkar killed Singh. Sarkar came to Puri and when he saw D.G. Sen here, he conspired with Laxman to steal the manuscripts. Nisith had actually discovered the theft and tracked Laxman to Bhujanga Niwas, so Laxman killed him with the hard manuscript and later threw the manuscript into the sea. Before throwing it into the sea, Laxman saw Feluda and attacked him with the blood-soaked manuscript.
Manik Babu, a respected Ex-Army officer, with his wife Dipa sojourns in a conurbation near Kolkata. His son along with his daughter-in-law and grandson have settled abroad. So he develops a bond with his childhood friend Sen Babu's grandson, Tatai. When a circus team emanates in their area, Tatai falls in love with the grandeur of the circus, especially the circus horse. But can Manikababu ultimately fulfill Tatai's dream?
Beautiful Life is a movie directed by R.D.Nath featuring Rituparna Sengupta, Tota Roy Chowdhury.
A publisher, a poet and an author caught in a age old dilemma. To pay or Not to Pay!
Borunbabu is an irritable, old man whose wife is bedridden and the only people he talks to are his childhood friend and his grandson. Isolated from the rest of his family, he lives a lonely life but one day something happens that changes it all. All of sudden, Borunbabur finds himself at the center of all attention.
Farhaz Chowdhury, a top chef from Dhaka, first falls in love with her cooking and then with Basundhara — a woman who runs a home catering service. Ahaa Re is a celebration of food, and the love for it. More precisely, it's a celebration of the invested emotions and senses that turns cooking into an art form. And all this comes with a generous dollop of Bangaliana.
Legendary figures of Indian cinema Aparna Sen and Soumitra Chatterjee head up the ensemble cast of this bittersweet tale of family ties and disillusionment. An elderly couple is celebrating their 50th anniversary, and family members gather at their once magnificent, now largely decrepit mansion, where they married a half-century before. As relatives young and old arrive and reminisce about their lives, stories are exchanged about the great family's past. But it does not take long to see that reality is more complicated than family myth. Long-buried family secrets inevitably arise as do secrets that may have been better kept locked away. To face the "fading pride of a nebulous past," family closeness is needed now more than ever. Suman Ghosh directs with a fine eye for the pretensions and wrongdoings of the upper middle class as well as its underlying strength and pain.
A group of ghosts are rendered homeless as all the old haunted buildings in Kolkata have been converted into multi-storied buildings, malls and multiplexes. Some of them, from varied social-economic background, take shelter in an abandoned, dilapidated single-screen theatre, planning to make themselves relevant and fit for the future as contemporary ghosts.
Once Upon A time in British India Bengal Province An old Maulavi (Muslim Priest) wanted to start a primary school for village boys and A Kind-hearted Zamindar (Land Lord) helped him to build the school.
Alinagarer Golokdhadha is an adventure mystery film, released on 20 April 2018, directed by Sayanton Ghosal, produced by Rutrum Juin, starring Anirban Bhattacharya and Parno Mittra in lead roles. It is film collaboration for a Bengali movie between Eros International and Champion Movies.
Ka Kha Ga Gha will see a power packed family entertainment, comedy and a deep message through a ballot of multi-casts.
In the pre-independent days, Viceroy Lord Curzon gifted a diamond-embedded golden pen to a local landlord as a token of gratitude for saving his life. When a newspaper feature about the long-lost pen's historical significance surfaces over a century later, it piques the curiosity of several people for all the right and wrong reasons. The key to discovering the pen lies in solving a set of puzzles left behind by the landlord, but with a fortune at stake and plenty of interested parties joining the treasure hunt, things may just take a dark turn.
When Bancharam suddenly dies, his spirit visits zamindar Narahari Dutta to ask for his help and stop builders from taking over his land.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre 'Kamalini' named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab's condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Double Feluda is a Bengali language crime thriller Detective film, based on the Bengali sleuth Feluda, created by the acclaimed and renowned Oscar- winning director Satyajit Ray. Directed by his son Sandip Ray, the film marks the comeback of both Sabyasachi Chakraborty and Saheb Bhattacharya, with the former returning to the eponymous role of Feluda and the latter playing his sidekick. This is a sequel of Royal Bengal Rahashya (2011). The film released on 16 December 2016 to mark the 50th anniversary of the iconic creation.
A married couple who start on the wrong side and detest each other eventually grow close and learn to appreciate and love each other.
Benche Thakar Gaan is set in an old age home where Paromita, a young gerontologist lands up leaving a lucrative career as a psychiatrist in the city. In this home, she faces her boss Dr. Partho Sinha, a strict disciplinarian, who has built this home for all those who can afford to live well but are not able to live either with their families or alone due to certain circumstances. According to Dr. Sinha, the inmates are here to spend the sunset years of their lives in peacebut Paromita feels otherwise, she believes there is still a lot to live for in the sunset years too. To Paromita, even the seniors have a right to enjoy, and peace can only come when the mind is happy - - An old age home is not where you are thrown out, but it can be a home where new bonds can be forged even in later years of life. Benche Thakar Gaan or song of life is a positive look at the age which to us is just a number, and its all in the mind.
Kelo, an autorickshaw driver, always dreamed of becoming an actor. His childhood friend and confidant, Choomki, believes in him and helps him chase his dream.
A rusticated boy in his adolescence comes to stay with his mother in North Kolkata and encounters some new experiences during his stay. The time-line of the story is in the 90's typical Northern part of Kolkata.
The story of the film revolves around a cursed nightie which changes hands in a logical manner, not magically. The original owner of the nightie had experienced unfulfilled love, which ultimately led to a curse on it. A wannabe actress comes to Kolkata from a village in pursue of her career. She can cross all limits in order to become successful. She uses that nightie for seducing producers and she doesn't regret in what she is doing. The events that take place later form the climax of the story.
Chaar (English: Four) is a Bengali anthology film, directed by Sandip Ray and produced by Shrikant Mohta, Mahendra Soni and Nispal Singh under the banner of Shree Venkatesh Films and Surinder Films. It based on four stories by different writers- Bateswarer Abodan by Parasuram, Porikkha by Sharadindu Bandyopadhyay, Kagtarua and Dui Bondhu by Satyajit Ray.
It’s a story of a once-wealthy joint family staying in a 200-year-old decrepit house full of ghosts. Four brothers live with their family. They are the grandsons of late Raybahadur Dhumrokolap (Soumitra), whose ghost stays there in the house along with his dead khansama and aunt. Like all the old houses, there’s also a hidden treasure and a clue which leads to it. The family desperately searches for the treasure, finding which will ensure the end of their falling conditions and save the house from a ruthless promoter (Shankar Chakraborty).
The story of a modern day Aladdin, set against the backdrop of contemporary consumer society
Indrajit is a UK based scholar. While working to preserve historical documents he find a parchment from which he learns about treasures hidden in an old palace in Simulgarh, a village of West Bengal. Indrajit comes to the village, finds out the treasure, but, a local goon Gagan Sapui accuses him of robbery, beats him up and expels him out of the village. Sapui wants to melt those coins to make new jewellery. After being beaten up, Indrajit goes to forest near the village where he meets Chhayamoy, a benevolent ghost. After listening the incidence from Indrajit, Chhayamoy decides to teach him a lesson.
Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.
Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.
Balukabela.com is an upcoming Bengali language film directed by Partha Sen.[1] The film was world-premiered in London in May 2012
A rib-tickling comedy about a group of spirits who, in their various idiosyncrasies, try and save their only haunt, their resting place, when some unscrupulous builders try and break it down to build a modern monstrosity.
Feluda alias Pradosh Mitra, a private detective is invited by a rich former Zamindar (and a retired big game hunter) in North Bengal. The task is to solve a riddle which was written by an ancestor long time ago. The riddle ostensibly contains clue to finding hidden treasure that belongs to the family of the Zamindar. When Tarit Sengupta, the personal secretary of the Zamindar is killed in mysterious circumstances, Feluda finds out that Tarit had already solved the riddle, and was in the process of stealing the treasure when he was killed. Then the mystery thickens as there are many suspects. At the end the man-eating Tiger appears to give the story a new dimension. How does Feluda Solve it? See it to believe. The mastery of Satyajit Rays's writing and direction of Sandip Ray can be seen here.
A young boy meets a friendly ghost and the impossible became a reality. Based on a story by Shirshendu Mukhopadhyay.
Handa and Bhonda both hate their life and they are looking for a miracle to happen.
A couple runs two hostels, one for men and the other for women. The residents are constantly at loggerheads with one another, but they soon start growing fond of each other.
Teen Ekke Teen (2006) is an Indian Bengali comedy film directed by Malay Bhattacharjee.
Sadhan Bose a small-time businessman leaves for work, Sadhan, incorrigibly, hasn't read beyond the opening page of the morning newspaper. Nabendu his neighbour, brings him abreast of a gruesome murder. One, Sibdas Mullick has been found beheaded. A Madhusudan Maity appears the prime suspect. Sadhan shudders. His mind flies back four years to his room on Patuatola Lane. Sadhan Sibdas & Mudhusudan deal cards in a game of Flush. Mudhu makes a killing. Sadhan smells foul play & voices his misgivings. Suddenly Mudhu is without himself. Flashing a flick knife, he threatens to avenges Sadhan's jibe one day... Evening. Back home, a grim-faced Sadhan tremulously eyes an oversized package on his table. None has hint of the parcel's sender/origin. Meanwhile the police drop by to interrogate Sadhan about his past conditions. Deep into the night. Sadhan site wide-eyed & pale. His hair bristles at the though of Sibdas backed head in that package & Madhu's bloodshot eyes....
The stories are based on the concepts of Paranormal, psychic situations Blind faith on black magic and witch craft , Severe superstitions and rituals Reincarnation, fake identity and mysterious comeback. The film rationalizes the good and the bad sides of popular belief and age-old ideas, the evil of superstition and the dark side of mankind.
