Pascal Greggory
Rwanda, 1973. In the prestigious catholic institute 'Notre-Dame du Nil', perched on a hill, young Rwandan girls study to become the elite of the country. In the process of graduating, they share the same dormitory, the same dreams, the same problems of teenage girls. But in every corner of the country as well as in the school there are deep antagonisms that will forever change the destiny of these young girls and the whole country.
The story unfolds in the winter of the year 1215. A mysterious stranger who has escaped from prison arrives in a tiny, remote village in the kingdom of France plagued by famine and leprosy, and ruled by an ageing lord, a former hero from the Crusades, Lord Ocam. Together with his horde of knights, Ocam abducts a young girl from the village in order to exert his droit du seigneur over her. A handful of villagers, backed up by The Stranger, attempt to release her, but they only have until nightfall…
Pierre Hoffman joins a prestigious school as a substitute teacher and soon notices, among some of his students, an unjustified hostility and a spark of violence in their eyes. Is it because the unspeakable tragedy they have just experienced? Is it because they seem to be extraordinarily gifted children? Is it because they have lost all hope for the future? From curiosity to obsession, Pierre will try to unlock their secret.
Kenza and Yaël are two young French women who go to Syria to fight alongside the Kurdish forces. There they meet Zara, a Yezidi survivor. Born in different cultures but deeply united, the women-fighters heal their past wounds and discover their present strength, especially the fear they inspire in their opponents. The three young women soon bound together and become true sisters-in-arms.
An actress working undercover for the Allies in 1941 Shanghai discovers the Japanese plan to attack Pearl Harbor.
Xingxi travels alone to Alor Setar, a town in Northern Malaysia. As a consequence of a blown tire, she experiences three variant adventures. She introduces herself to people using different identities with mysterious secrets. In return, what the journey brings her is thoroughly unexpected. In the first adventure, Brooke is a traveler; in the second adventure, Brooke is an anthropologist; in the third, Brooke is a divorcée. She is a disheartened woman who comes across a French writer named Pierre. The two lonely travelers become instant friends. Their age gap enables them to have their respective insights into life and death. Meanwhile, it is not until the enigmatic side of Alor Setar begins to unfold that Brooke tells Pierre the true reason why she has come. They seek to understand the interaction between love and life. As the story comes to an end, mother nature shows her beauty with the magical Blue Tears phenomenon on prominent display.
Once a ruthless war lord who won his land by his sword, Mort-Lieu is now a sick old man. A mysterious knight appears ; Mort-Lieu believes the stranger is Death himself coming to get him. Facing his own end, Mort-Lieu has to confront his legacy.
Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors - another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.
Omar Petit would be able to live a perfectly happy life with his wife and daughter if it weren’t for a number of farmers from the vineyard who have decided to make life miserable for them because of where Omar comes from. One night, one of them happens to be in the middle of sabotaging their vineyard when he witnesses the murder of three South American drug smugglers. The killer, an injured biker who’s nevertheless as hard as nails, must take refuge on the Petits’ farm and takes the family hostage...
In the middle of the night, Magloire is smoking a cigarette in an abandoned train station when the police shows up for an ID check. He starts running with no luggage, no future until he meets a dying man from whom he inherits a fortune. Magloire is now pursued by a gang. He becomes their hostage, but accomplice too. As he doesn’t anything to lose. Like someone who gets away with everything, someone with no expectations…
A horrific discovery in a small town nestled high in the French Pyrenees begins to unravel a dark mystery that has been hidden for years. On an unforgiving winter morning, a group of workers discover the headless body of a horse, hanging suspended from the edge of a frozen cliff. Commandant Martin Servaz starts investigating and soon discovers a dark story of madness and revenge.
Najat, a young Moroccan woman, once met the French director Jacques Doillon and was casted in his film Raja for which she won the awards of Best Actress at both Venice Film Festival and Marrakech Film Festival. Raja Bent El Mellah is a film about the backside of fame and the inequality of the world.
Workplace drama doesn’t get any messier than in this intriguingly knotty tale of corporate backbiting and buried secrets. Nora (Agathe Bonitzer) is a bright young professional whose new job at a financial firm turns out to be a trial by fire when she learns that her bosses (Lambert Wilson and Pascal Greggory) share a tumultuous history with her prickly mathematician father (Jean-Pierre Bacri). Meanwhile, an interoffice romance with a competitive colleague (Vincent Lacoste) leads to even more complications, leaving Nora to navigate a minefield of delicate relationships as she climbs the corporate ladder. Isabelle Huppert costars and delivers a typically multi-layered performance as one of many sharply etched characters populating this complex moral tale.
Set in the near future, multi-national corporations are Europe’s new leaders. One of the most powerful, Promethee, wishes to further secure their growing dominance by replacing the police force with their own private militias, the Black Squad, led by Henry Munro. Following the shooting of his daughter, his life in shambles and darkest secrets exposed, an idealistic law enforcement officer, Sirius, with nowhere to turn, aligns himself with an old cop Franck Varnove. Sirius takes charge of Franck’s clandestine, elite squadron, Section Zéro, to battle these dark, violent militias, promising a return to traditional law enforcement before the world they’ve known disappears forever.
Aged eight, Victoria spends a night in the home of a wealthy white family; years later, she encounters them again and her life is changed forever.
The French Trilogy showcases a series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions echoing his previous project, The American Tetralogy. Questioning the relationship between cinema, landscapes and representations, this project features a song by Edward Barrow and was visible in public space in France during the summer of 2013, through a distribution system borrowing from advertising strategies.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They've taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
A gruesome discovery is made outside a London cemetery one night. Meanwhile in Paris, Police Captain Adamsberg discovers a body chopped into pieces. Could there be a link?
Thomas, a father in his fifties, returns by chance to the town where he grew up. He collapses and wakes up forty years earlier in the body of his teenage self. Thrown back into his past, Thomas will not only have to re-live his first love, but also try to understand the reasons for his father’s mysterious departure. Can you change the past by living it again?
Fifteen-year-old Céline knows more about life than is appropriate for her age. She wanders the streets, surviving, with the help of her boyfriend Romain, thanks to her defiance and ruthless practicality. She secretly sleeps in the garden house of a luxury villa, where one evening she is discovered by the owner, Judge Henri van Eyck. Despite his wife Nathalie's reticence, he takes the girl in and Céline gradually gains their goodwill and affection. The fragile balance of their mutual trust, however, comes in serious jeopardy when the web of lies the girl has told her protectors begins to unravel, revealing her real motives.
Filmmaker Lodge Kerrigan makes a self-referential movie about a fictional attempt to make a Grace Slick biopic.
When a famous playwright invites the cast of his new play - including his enchanting assistant, his ex-wife and her new lover - to his country estate, a series of seductions and surprising alliances ensue.
Having finally secured her first assignment from her family's demolition business, Sam Walczak (Mischa Barton) is sent to supervise the destruction of an apartment house, only to discover a group of tenants still living in the condemned building. One such tenant, Jimmy (Cameron Bright), tells Sam an urban legend about a serial murderer who used to live in the building and entomb his victims in the walls. What's worse, the dead are believed to still harass the residents to this day.
While shooting a documentary about all kinds of actresses, the director falls for one of them.
The Muller company organizes a reception to mark the launch of a new product. During the evening, we discover that this is actually a coaching exercise for company executives. Gradually, rumours about the upcoming acquisition of the company start to emerge and everyone finds themselves trying to save their place.
Werner Schroeter directed this dark and surreal tale of a man determined to save a lost lover from a grim fate at the hands of a violent mob. The city of Santa Maria is falling into chaos as an armed military faction is poised to take power in a coup d'etat. Ossorio used to call Santa Maria home, and he has returned in its darkest hour to find the woman he loves, hoping to rescue her from the violence that is lurks around the corner. As Ossorio searches for his love, he meets Victoria in a shabby hotel, who in turn introduces him to her father Barcala, who for the right price is willing to take Ossorio and another passenger away on his boat. While Ossorio is willing to pay Barcala what he wants, can he find the mysterious woman before the ship sets sail?
During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.
As the daring thief Arsène Lupin (Duris) ransacks the homes of wealthy Parisians, the police, with a secret weapon in their arsenal, attempt to ferret him out.
Thomas has been estranged from his brother Luc for several years, due in part to his difficulties in dealing with Luc's homosexuality. But when Thomas is diagnosed with a rare blood disease, which is difficult to treat and impossible to cure, he decides he wants to bring Luc back into his life. The brothers soon become inseparable, and their new relationship begins to alienate their significant others.
Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.
Laborie is a high-flying officer in the French special forces. Her mission is to escort Abedin Nexhep, a godfather of the Albanian mafia. Charged with heading a wide-reaching prostitution network, this formidable criminal is due to stand trial before a European court. During the transfer, killers hired by Nexhep set up an ambush to free their boss but Laborie and her men manage to escape...
Sylvie is a hooker whose illegitimate daughter commits a crime. She and her daughter flee to find Sylvie's first love in the countryside. The daughter is trying to get to know her unwilling mother. Along the way, the two meet a male fugitive and bond with each other.
Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.
Léa is a strong person, but when she comes out of prison, she decides to get a fresh start. She would like to forget her cold and aloof father Vittorio Pastore, her young and irresponsible brother Samy for who she went in jail and the Zach's gang, the thug she used to love. But nothing elapses as she expected.
Bisexual attorney Alain is bedding his female boss, his murderer client, the client's hairdresser girlfriend, and a precocious boy who knows what he wants and tries to convince Alain that he can 'have it all'.
Clélia is a very attractive photographer starting a new job for a sensationalist newspaper. She soon becomes involved with three very different men: Cléve, a middle aged books editor, Nemo, a mysterious photographer and Rupert McRoi, the owner of the broadcasting and tabloid company where she works.
Marcel Proust (1871-1922) is on his deathbed. Looking at photographs brings memories of his childhood, his youth, his lovers, and the way the Great War put an end to a stratum of society. His memories are in no particular order, they move back and forth in time. Marcel at various ages interacts with Odette, with the beautiful Gilberte and her doomed husband, with the pleasure-seeking Baron de Charlus, with Marcel's lover Albertine, and with others; present also in memory are Marcel's beloved mother and grandmother. It seems as if to live is to remember and to capture memories is to create a work of great art. The memories parallel the final volume of Proust's novel.
In a French prison, three men are coming to terms with the emotional and physical torment which their incarceration brings them. Arnaud is serving a six-month sentence for drug smuggling; he protests his innocence and will do anything to secure an early release. Francky is a hardened criminal who has all but lost his wife and family and who seeks comfort in self-inflicted abuse. Kader is in prison for theft; he is the most philosophical of the three men, he is growing accustomed to prison life and seems to prefer it to the world outside.
Friends of painter Jean-Baptiste Emmerich gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian François and his lover Louis, who develops an interest in teenage Bruno. Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry, husband of Catherine, who's on the train with their daughter. François plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie is convinced that she was his main love. Also on board is his nephew, Jean-Marie and Jean-Marie's estranged wife Claire. After the funeral in "Europe's largest cemetery," the story continues in the mansion of Jean-Baptiste's brother Lucien.
A love story or a tale of the resistance, this poignant movie tells both the haunting story of a French resistance cell in Lyon but also the love of Lucie Aubrac for her husband...
A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.
The night of August 24, 1572, is known as the Massacre of St. Bartholomew. In France a religious war is raging. In order to impose peace a forced wedding is arranged between Margot de Valois, sister of the immature Catholic King Charles IX, and the Hugenot King Henri of Navarre. Catherine of Medici maintains her behind-the-scenes power by ordering assaults, poisonings, and instigations to incest.
The socialist mayor of a small village in France dreams of building an arts center but he runs up against some opposition.
Vincent, a young Swiss, is upset by his meeting with the city of Lisbon. He will meet two persons: a prostitute of high flight and a great writer fallen and suicidal.
Joa (Bulle Ogier), an archaeologist from Mexico, comes to Paris in search of her sister Anna (Mireille Perrier), of whom she is suddenly without news. Anna, a theater actress, was in the title role in Sade's "Justine" when she disappeared. The investigation leading Joa to the people who have known her sister, turns into an initiatory quest. Her journey, her stroll through a subterranean marginal Paris, leads also to the emergence of a new woman.
Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E may be the key of true friendship, but it is Mozart that pushes them apart.
This debut directorial effort by French actress Virginie Thevenet is a routine erotic tour through Parisien night spots and the infamous Bois du Bologne with its drag queens. A worldy-wise young woman latches onto her opposite, a shy and inexperienced young man, and leads him by hook or crook through the wild side of night life in the city of light. As she initiates him into an erotic demimonde, viewers are treated to street scenes and the special ambience that characterizes the lowest rungs of the social scale in Paris.
A short film directed by and starring Rosette, best known for her acting work with Éric Rohmer, featuring a star-studded cast and crew of regular players from Rohmer films. With the help of her friends, Rosette takes advantage of a gullible stranger passing by in order to sell him all her roses.
Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...
Passionate about music, Julien nevertheless works with a sculptor. One day, he meets young Hermine at a religious bookseller.
Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues Edmond, with the encouragement of Clarisse, but Edmond does not seem very interested.
To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.
In the Middle Ages, the earl Wetter von Stahl is accused of having bewitched Catherine, the daughter of the gunsmith of Heilbronn, the earl tries to be exonerated by proceeding himself to the interrogation of the young woman. —Wikipedia
In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.
Barbara, a young girl, lives in an old country house with her father and her teacher. One night, she dreams that a fireman enters her room through the window. Having grown, Barbara leaves her father to travel across the world, before coming back to her childhood fantasies: one day, she calls the firemen, and locks herself with one of them in her bedroom.
Les Contes Secrets ou les Rohmériens features interviews with 16 actors who have appeared in Rohmer's films, and they talk on camera about his unusual working methods, his personality, and his spare but evocative signature style. Among the thespians who share their memories are Jean-Louis Trinitignant, Marie-Christine Barrault, Zouzou, Jean-Claude Brialy, Béatrice Romand, Françoise Fabian, and Andre Dussolier; the film also includes rare footage of Rohmer himself at work on the set of his 1978 effort Perceval.
Laura, a young woman in precarious situation, falls in the grip of a mayor destined to greater responsibilities, who is twice her age.
Two brothers, who have not spoken to each other for several years, meet in Brittany to visit their father whom they have not seen in even longer. This quest dotted with incidents will invite them to try to reconnect with the past and settle scores with life.
Centres on Sandra who often visits her father, Georg, who suffers from a neurodegenerative disease. As she and her family set off on a real obstacle course through hospitals and retirement homes to try and find a safe place for Georg, Sandra unexpectedly runs into Clément, an old friend she had lost touch with and whom she soon begins a passionate yet uncertain relationship with...
