Patricia Reyes Spíndola
In the microcosm of a private school, the latent traumas of adults coexist with the teenager’s wild search for identity. From somewhere on its walls, travelers could glimpse suggestive ports, but no one finds enough energy to leave the trip. The fruits of the past lay roots that imprison and immobilize those who close their eyes as salvation.
Ernesto, a Cuban actor who decides to audition in Mexico, is stranded in the gigantic city when he fails to achieve a leading role in an important play. Facing the dilemma of returning defeated to his home, he accidentally meets Belén in the subway, a spontaneous actress who tells stories or lies in exchange for some coins.
Keta is a professional makeup artist with a big butt and large thighs, but she also has big dreams. The truth is that Keta with her overweight, her addiction to marijuana and her pink hair can not get a job anywhere, so she ends up as a drug dealer handing out goods to her neighbor - who is addicted to all kinds of painkillers-, to an actress of soap operas as schizophrenic as a cocaine addict; also going through a swinger couple, a prude housewife, a not so prude nun and a host of characters that will surely make more than one viewer is reflected.
At a pivotal moment in her singing career, Rocío discovers that her mother is ill and that her final wish is to meet with her again before she dies. After evading the past for 10 years, Rocío returns to her hometown from where she was once expelled. When confronting her family, she comes to understand that forgiveness is the key that will allow her to realize her full potential.
Luisa Fernanda Pérez, a beautiful, 18-year-old student, has two passions: mastering the violin and gardening, a skill she learned from her father, Pedro, the former groundskeeper of the wealthy Altamirano family’s estate. A chance encounter with destiny alters her life after she is injured in a car accident caused by Luis (her biological father), a playboy lawyer and falls for his stepson, Carlos, an attractive, young doctor treating her at the local hospital.
Augusto is a 40 year old who fall in love with a younger russian girl that lives at Veracruz, Mexico.
'The Color of Passion' is a Mexican telenovela produced by Roberto Goméz Fernández for Televisa.
La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.
In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.
Fuego en la sangre is a telenovela that began transmissions on January 21, 2008, through Mexico's Canal de las Estrellas network. Starring Adela Noriega, Eduardo Yáñez, Diana Bracho, and Guillermo García Cantú. It is the Mexican remake of the Colombian soap operas Las Aguas Mansas and Pasion de Gavilanes. The theme song called "Para Siempre" is sung by Vicente Fernández. The telenovela received TVyNovelas Award for Best Telenovela, in 2009.
The first feature film from director Simon Bross, the drama Bad Habits shows how a person's approach to food greatly affects one's life. Jimena Ayala plays a nun named Matilde who believes that eating next to nothing will help God stop the suffering of others. She trains pudgy, young Linda (Elisa Vicedo) for her first communion. Linda's mother is an emaciated exercise addict who frets over her daughter's shape. Linda's father, Gustavo, is a libertine who enjoys food as well as a healthy sex life with a mistress. Gustavo, an architect, must figure out why the pipes of a local school are leaking under the strain of a seemingly ceaseless rainstorm.
A conservative businesswoman promises her dying husband to bring their son, long-absent and whose whereabouts, is unknown back home. The clues lead to El Edén, a male brothel dressed as a gym. Despite the fact that he refuses to return, she, accustomed to achieving what she sets out to do, will use all her weapons to recover what is her own.
Conflicted gay man makes contact with the ghost of his boyfriend from teenaged years.
In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?
La Intrusa is Mexican telenovela. It was written by Inés Rodena and Carlos Romero, and directed by Marta Luna and Patricia Reyes Spíndola. It lasted for 135 episodes, under the production of Ignacio Sada Madero, it was starred by the Venezuelan actress Gabriela Spanic, who again plays a double role as twins after La Usurpadora, and the Mexican actor Arturo Peniche and as the main villain Laura Zapata.
Two men jump out from behind some cacti and beat a man over the head with a rock. They then take the body to the dead man's hut, and sit with his body for the night while they talk, complain and dance. Later at the police station, two women come to claim the body--a bitter, venomous wife and a younger prettier women. They fight and scrap until one of them get the responsibility for the body. Later we find out why the self-titled "King of Baseball" was killed.
Based on the Greek tragedy MEDEA, this is a present day Mexican version, set in the seediest possible milieu of Mexico City. A woman abandoned by her husband, is thrown out of her apartment by her landlord - who is also her husband's new father-in-law. She is also about to lose custody of her two children to her husband, a low-life, second-rate boxer and opportunist. With the help of her godmother, she plans to take revenge on her husband.
Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.
"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio (Rabal) and Mamá Dorita (Jurado). They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa (Gurrola) the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".
The life of a man who preys on unsuspecting women for a living is changed when he finds an accomplice in the woman who loves and controls him.
Tired of being mistreated by their husbands, Ema (Reyes Spindola), Clotilde (Elizarraras) and Chayo (Orozco) leave their past (children and husbands included) and begin an adventure that will take them to a cavernous cabaret in Guadalajara, a love affair with a hot-blooded young drug dealer and, finally, a popular and well decorated mexican restaurant in downtown L.A. In the middle, the three women will find their respective self-esteem and their true reasons for living.
The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.
Ghosts cause a lot of funny and chilling problems to a young couple that recently moved in their house.
A bureaucrat gets help from a union leader to obtain housing and credit but struggles to pay for them after he gets fired from his job.
Perla, a prostitute and the star in a miserable cabaret in the docks, falls in love with a sailor without knowing that he is her brother. Tomasa, Perla's mother, tries to prevent this incestuous relationship at all costs, but fails to do so. Set in a sordid environment, the director makes no concessions in this tragic love affair, which is narrated from three different points of view.
Between chargers, noise and improvisedly placed furniture, a couple experiences a violent marital crisis, ignoring that they are observed by many characters that will soon face them with their own demons. Inspired by a work by Vicente Leñero, Gabriel Retes orchestrates a portrait without concessions of the hell of the marriage institution and love chaos, made in video format in 1990 and completed by the filmmaker more than a decade later.
A taxi driver goes missing after driving a passenger out of town.
Mix magical universe of Juan Rulfo, in which Juan Preciado, "Pedro Paramo", located incestuous siblings "Talpa" while Juvencio Nava, of "Diles que no me maten", flee several men who pursue for killing Colonel Terrones.
The drama of the Indians of tropical Mexico in the early twentieth century. The Rebellion of the Hanged is the intense story of the rise of the oppressed pawns and their struggle to achieve freedom and independence.
Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember anything. Luz thinks of jail as the purgatory: it's only one step to reach the Heaven.
Irene is a young housewife and mother who tries to raise her young family, love her husband and keep her home all the while studying her masters' degree. Mario, her husband, is a good man, but he's tied by convention. When she has a strange mishap one day, her domestic life is catapulted in a whirl of horror and violence that will tear the fabric of her very existence apart.
Remake of Pueblerina (1949). Convict is released from prison and tries to pick up his life-farm-girlfriend where he left off with them. But there are obstacles.
Hall Bartlett directs the rural drama The Children of Sanchez, based on the tome The Children of Sanchez: Autobiography of a Mexican Family written by Oscar Lewis in the '60s. Anthony Quinn stars as the widowed Jesus Sanchez, a poor farmer struggling to provide for his family in Mexico City. Also starring Lupita Ferrer as Consuelo and Stathis Giallelis as Roberto. This is the last film in the 50-year career of international star Dolores del Rio, who plays the Grandma. Jazz-pop performer Chuck Mangione was nominated for a Golden Globe and won a Grammy award for his original musical score.
Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister town, inhabited by mysterious voices and whispers…
A guy is peer-pressured, despite his reluctance, to play the role of Christ in a local production of the Passion Play.
Lord John Morgan has returned to civilized life in England, but finds he has nothing but disdain for that life. Yearning to embrace the simplicity of the American West-and the Yellow Hands Sioux tribe he left behind, Morgan returns to the tribe's land only to discover that they've been decimated by ruthless, government-backed fur traders. Led by Horse, they fight to repossess their land.
Librado, an unemployed man, lives in a crowded small house with numerous children and relatives, is beaten for stealing a car antenna. His godmother and her children try to settle in his place. She then is arrested at a supermarket for stealing, however, she offers herself and volunteers a friend of hers for sex to the policemen so she can be released. She is a maid of an employee who acts subservient to his boss, a mid-level government employee at once servile who delivers speeches on sexuality in educational texts and then discusses the matter with his brother, a corrupt inspector.
Laura and Eva are waitresses at a restaurant. They are friends with Adrián, whose father, a retired military officer, treats him harshly, while Luis, a friend of Adrian, who lives temporarily in the house, treats him with affection. When Adrián and Luis take Eva and Laura out, Laura falls for the shy Luis and Eva falls in love with Adrian. Soon after, Eva becomes pregnant...
Originally Actas De Marusia, this Mexican film re-creates a dark chapter in the history of Chile. The scene is a small Chilean mining town in 1907. Suffering under the despotic rule of the British mine owners, the workers stage a revolt. The government's solution is to utterly destroy the town rather than allow the rebellion to spread. Letters from Marusia was adapted from a novel by Patricio Manns, which in turn was based on eyewitness accounts of the 1907 massacre.
Slice-of-life story about the career arcs of five or six boxers who pal around together.
Adult brothers compete for pateral affection and for control of the family estate.
When his father passes away, Juan Pablo inherits his guitar. Decided to continue his father's legacy, he abandons his career and becomes a mariachi.
