Patxi Bisquert
Khalil is a young man torn from his roots who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother he hasn't spoken to in years. On the banks of the marshes, the tides mark the time of love and heartbreak, of friendship and revenge.
When Liliana decides to return to Uruguay she will have to face up to a new dilemma, perhaps the last great dilemma of her life: To choose between supporting a collective case for female prisoners, raped during the time of the dictatorship, or to reconcile with her son and be able to live peacefully as a mother and a grandmother.
One day, Pedro Sansinenea left family, friends and country, an environment that drowned him. Twenty years later he returns to the Basque Country for several reasons, where he finds old hatreds, new conflicts and even a dramatic love story.
It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.
Cesar and Isabel just got married for the Jewish rite, their religion. He is a director of a banking company. She works in a bookstore owned by her mother-in-law. The couple sees their happiness truncated when César discovers financial anomalies in the entity where he works. What were initially charges against some managers, becomes an accusation of embezzlement against César, who is in France to prevent his entry into military service. Go back and appear before the judge to prove his innocence.
In a well-acted historical drama about clashes between opposite ends of the economic and cultural spectrum, a literal witch hunt in a Basque village sets orthodox religion against pagan beliefs, feudal lords against the impoverished peasantry, abusive men against defenseless women, and in some ways, Spaniards against Basques. The witches are female and from the lower classes, the persecutors are wealthy white Christians. The story revolves around Garazi (Silvia Munt) whose grandmother is burned at the stake when convicted by the Spanish inquisitor of being a witch, something that brings Garazi under suspicion and eventually into prison. She is tortured in prison and raped by her rejected suitor, the vicious son of a local landlord. While Garazi is suffering her own pain, a struggle on a much broader scale is in the offing.
King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.
In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.
