Paul Leduc
In the future, a couple hides from their pursuers in the archaeological ruins of Tulúm, on the beaches of Cozumel, and in the hubbub of a day out in an indigenous town.
1) globalization of violence, violence of globalization? 2) serial killers, social killers? 3) a mine in brazil some murders in new york others in miami how are they connected? 4) "who's putting dynamite at the head of the century" asks tom zé -singing- at the end of the film 5) "cobrador - in god we trust" is an invitation to search the answers to these questions. "cobrador - in god we trust" is an attempt to find the answers to these questions
A journey that begins in prehistory, passes through the Mesoamerican peoples, and shows the instruments that were used in the conquest and the colony, in order to learn about the evolution of Mexican music.
During the American invasion of Panama to oust General Noriega, a mambo dancer is raped by American soldiers. Based on a true incident. There is effectively no dialog in this film: Everything is communicated through dance or pantomime.
A woman working in a caribean Cabaret meets a man in the harbour that just went out of jail. They recognise in each other common feelings of rage and fury and then they fall in love in a story without words.
Award-Winning filmmaker Paul Leduc (Frida, Naturaleza Viva, Reed: Insurgent Mexico, Barroco) directed this gritty musical drama about life in the ghettos of Mexico City during the 1980s. With a soundtrack of Mexican rock music, the camera takes the viewer through the streets, to rock concerts, and to the bars and clubs, where he exposes the hunger, repression, unhealthy conditions and violence in the marginal communities of Mexico's capital city.
This film is a chronicle of painter Frida Kahlo, and her encounter with the personalities of her time. Despite being confied to a wheelchair as a result of polio, operations and amputations, she faces and traces some of the most colorful and controversial aspects of Mexican history, during the dominant time of Mexican muralism.
It is a cinematographic adaptation made by the Museum of the Word and Image (Museo de la Palabra y la Imagen - MUPI) of the book of the same name by the poet Roque Dalton
Documentary short film winner of a couple of Ariel awards. It deals with "crowned nuns" or "portraits of crowned nuns," a pictorial genre of portraiture that emerged during the colonial period of New Spain in the 17th century.
Documentary short film about Enrique Cabrera Barroso, a Mexican university student leader of the 1968 student movement and member of the Mexican Communist Party.
Documentary short film about the famous English character.
A dramatization of John Reed's newspaper accounts of the Mexican Revolution. Considered the first real film in Mexican cinema to be made on the Mexican Revolution.
Production made during the Mexican student movement of 1968.
A compilation of 20 Mexican children's song, composed from 1850 to 1950, ranging from lyrical to surrealist, illustrated with digital animation.
