Paul Robeson
This series of archive films provides a fantastic opportunity to explore the vital history of Black Britain throughout the 20th century. Featuring footage spanning from 1901 to 1985, this little-seen footage has been found from all across the UK. This programme allows an exploration into stories of migration, community and also the struggle against inequality, while also providing the opportunity to celebrate black British culture and life on screen.
The house he lived In: A conversation with Fred Baker (1932-2011) filmmaker , director , screenwriter , film producer, actor and jazz musician. A shining example of America's bohemian underground that has been around since the days of Walt Whitman. A sensualist. His favorite topics are sex, art, food and politics. To the rhythm of New York and Lenny Bruce.
A retrospective look at the career of Paul Robeson and his legacy as both an American and a citizen of the world.
An impressive roster of celebrities -- including Lili Taylor, Paul Robeson, Sarah Jones, Brian Jones, John Sayles and Wallace Shawn -- lend their voices to this performance of readings inspired by Howard Zinn's best-selling book. Segments bring to life Tecumseh's speech to the Osages, Frederick Douglass' thoughts about July 4 and Paul Robeson's Unread Statement before the House Committee on Un-American Activities.
A documentary look at the confluence of the Red scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.
A famed athlete, linguist, scholar, lawyer, actor, singer and activist, Paul Robeson left behind an irreplaceable legacy in American life. Friends, artists and writers recount the efforts of this tireless champion of African-American rights, whose actions ironically made him a target of McCarthyism. This eye-opening profile of the American icon is designed for students in middle school, high school and college.
Paul Robeson was a celebrated African-American Actor, Athlete, Singer, Writer, and Civil Rights Activist. Robeson's many achievements are chronicled in this program, ranging from playing with the NFL to graduating from Columbia Law School, performing on Broadway and in Hollywood films to founding the American Crusade against Lynching as well as Council on African Affairs. Robeson was one of the most talented performers of his time and a dedicated humanitarian who ultimately sacrificed fame and fortune for what he believed in. His association with Leftist Politics during the era of the Cold War, and frequent denouncing of American political parties led to his eventual blacklisting with other prominent writers and artists during the McCarthy Era. His talents in all areas are remarkable, and his dedication to attaining a peaceful coexistence between all the people of the world is truly admirable.
Biographical notes on the American singer, actor and civil rights activist Paul Robeson (1898-1976). At the height of his fame and skill, Robeson’s career was cut short by Cold War anti-communist hysteria. This documentary includes historic footage of the US civil rights movement; clips of Robeson’s speeches, performances and visits to East Germany (GDR) and the Soviet Union; and interviews with his son, Paul Robeson Jr., and the musicians and activists Harry Belafonte, Pete Seeger and Earl Robinson. Co-produced by the GDR’s DEFA Studio for Documentary Film and the West Berlin production company Chronos, with scenes shot in the U.S.
Sylvia Fine hosts this musical show featuring some great American singing and dancing stars, featuring music by Gershwin, Rodgers & Hart, Berlin and Kern.
This Academy Award-winning documentary short Paul Robeson: Tribute to an Artist, narrated by Sidney Poitier, traces the career of Paul Robeson through his activism and his socially charged performances of his signature song, “Ol’ Man River.”
A detailed biography of famed singer, actor, athlete and activist Paul Robeson. Complete with several interviews and footage of concerts and film clips.
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.
Ossie Davis narrates a history of "race films," films made before 1950 which catered to a primarily black audience.
The Song of the Rivers, or Das Lied der Ströme, is a 1954 documentary production by the East Germany's Deutsche Film-Aktiengesellschaft (DEFA). Dutch filmmaker Joris Ivens was the leading director. The sprawling film celebrates international workers movements along six major rivers: the Volga, Mississippi, Ganges, Nile, Amazon and the Yangtze. Shot in many countries by different film crews, and later edited by Ivens, Song of the Rivers begins with a lyrical montage of landscapes and laborers and proceeds to glorify labor and modern industrial machinery. The musical score is by Dmitri Shostakovich, with lyrics written by Berthold Brecht, and songs performed by German communism's star Ernst Busch and famous American actor, singer and activist Paul Robeson who also narrates. Song of the Rivers is an ode to international solidarity.
In 1951, the Council on African Affairs produced a twenty-two minute agitprop documentary film about apartheid in South Africa, narrated by Paul Robeson and edited by Hortense Beveridge (also known as Tee Beveridge; her first complete film). South Africa Uncensored is a raw and gritty piece of black-and-white agitprop, full of firsthand testimonial footage of the appalling conditions endured by Black South Africans under apartheid. The film portrays the filth in Black shantytowns lacking proper sewage systems, the country's segregated public spaces, and the vile white leisure spectacle of enjoying forced fisticuffs between Black workers.
U.S. Army training film about avoiding venereal disease, intended primarily for Negro servicemen.
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
Ten screenwriters collaborated on this series of tales concerning the effect a tailcoat cursed by its tailor has on those who wear it. The video release features a W.C. Fields segment not included in the original theatrical release.
In a Welsh coal mining valley, a young man with a beautiful singing voice is called upon to make the ultimate sacrifice when a pit disaster threatens.
In this musical comedy, Paul Robeson stars as Joe, a Marseilles docker hired by a wealthy English couple to find their missing son. When Joe finds him, he learns he escaped of his own will, and takes him to stay with a local singer. They offer him a refuge from his repressed white parents.
Adventurer Allan Quartermain leads an expedition into uncharted African territory in an attempt to locate an explorer who went missing during his search for the fabled diamond mines of King Solomon.
John Zinga, a descendent of slaves, has an ancient medallion around his neck and a fragment of song passed down generations. He is an English dockworker with a magnificent voice and a yearning to learn his roots.
British District Officer in Nigeria in the 1930s rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief.
Unscrupulously ambitious, Brutus Jones escapes from jail after killing a guard and through bluff and bravado he finds himself the emperor of a Caribbean island.
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.
Starring Paul Robeson (one of the first black movie actor/singers to achieve mainstream popularity) in a rare silent role, this experimental drama was thought lost until the 1990s when it was rediscovered by the British Film Institute. The Switzerland-set melodrama takes place in a resort and chronicles the reaction of patrons when an interracial couple shows up for a stay. Some critics claim that careful, sensitive viewers may be able to pick out gay subtext running throughout the story.
A minister is malevolent and sinister behind his righteous facade. He consorts with, and later extorts from, the owner of a gambling house, and betrays an honest girl, eventually driving them both to ruin.
