Paula Markovitch
A young man from the suburbs of Iztapalapa in Mexico City is casted as the lead actor for a new film. When the film opens at the Berlinale, he is consterned about how European people views Latin American films just as a sort of misery porn.
Marcos is a 65 years old artist. He works in a gas station, depressed and annoyed with his life because he has never been able to exhibit his paintings. One day, Luis a young thief who's 13 years old, enters to his house thinking it was empty. Luis is the only one who knows about Marcos art. Suddenly, a kind of friendship starts between Luis and Marcos. And both begin to find new answers about life and art.
26 filmmakers bring their own vision in order to find the truth about the missing students of Ayotzinapa.
Victor, a 37 year old hairstylist at Mexico has a really standard routine: he works, plays domino, watches soccer and cleans his house. He also likes romantic music and old classic mexican movies. But suddenly, he has to break this routine and go to Rio the Janeiro.
This is the story of a dysfunctional family in which each member engages in an illicit activity, but they don't know this about each other. One day, the Contreras family witnesses a police operation outside the building in which they live and, believing that they are coming for them, each member decides to hide incriminating objects in their room.
Ceci, a seven year old girl, has to keep a huge secret, but she doesn't completely understand what is the secret about. The life of her family depends on her silence. But what exactly must she keep silent about? Ceci and her mom live hidden from military repression in Argentina. Ceci asks herself: what must she say? What should she really believe and do in order to deserve the love of her mother and others?
Cecilia is seeking a new means of artistic expression. She doesn´t want to have children, they would hamper her development. An attempted robbery brings her together with Rafael, a 10 year old Chicano boy who can´t return to the USA. They inadvertently establish a mother-son relationship.
A story of a teenager and the strange events that take place in his small town.
Mexican director Enrique Begne's drama Two Embraces (AKA Dos Abrazos, 2007) follows four lonely and disenfranchised urbanites in contemporary Mexico City: a preteen boy under tremendous emotional strain, the pretty cashier with whom he is infatuated, an enraged and embittered cabbie, and the estranged daughter of one of his fares. Per the film's title, these characters pair off, finding unexpected hope and salvation in one another.
Flama and Moko are fourteen years old; they have been best friends since they were kids. They have everything they need to survive yet another boring Sunday: an apartment without parents, videogames, porn magazines, soft drinks and pizza delivery.
10-year-old Elisa, whose parents are about to lose their new car due to financial problems, plans a bank robbery.
Some friends spend a weekend on a sailboat, the first night one mysteriously disappears. A strange helplessness prevents the rest from looking for him.
Julian, a teenager, falls madly in love with Laura whom he meets only through what a friend tells.
A doctor can predict the death of their patients (Terminal Case), an old man meets a teenager through an ad in the newspaper (Classifieds), two young people are assaulted in the historic center of Mexico City (We're Everywhere), a mechanic confesses that he did not fix the brakes on one of the cars in his workshop (Intolerant), two children witness how some students get beaten while riding the bus (Juliet), Mariana Rodriguez shows us forms in which murals by David Alfaro Siqueiros are constructed (Siqueiros Model), a desperate woman seeks medicine for her mother who has terminal cancer (Ambulance Music) and finally a voyeuristic man asks for assistance to his upstairs neighbors while someone is making love (Neighbours). Eight Mexican films packaged in a 90-minute feature, because life is SHORT.
