Peggy Ashcroft
In World War II England, a woman is approached by a man claiming to work as an intelligence agent who has found out her lover is a spy. He promises to not arrest him if she'll have a relationship with him.
A woman who has been institutionalized for 60 years for the "crime" of not conforming to the 1920s image of what a proper young woman should be (in other words, she did what she wanted and didn't care what anyone else thought about it) is finally released to the custody of her family, consisting of her grand-nephew and his family. At first she keeps a self-imposed distance from the relatives, but she soon finds herself coming around to her nephew's wife, a free spirit who is under the thumb of her cold and controlling husband
In London, eccentric piano instructor Madame Sousatzka takes on a new prize protégé, Manek, a teenage Bengali immigrant who displays incredible talent. Manek forms a close bond with his teacher, but soon discovers that she expects her pupils to become disciplined in all areas of life, and not just behind the piano
The story of British MI6 spy Magnus Pym from his early days as a schoolboy to his eventual disappearance as a suspected agent of the Czech secret service.
With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II.
The making-of When the Wind Blows, featuring interviews with producer John Coates, director Jimmy T. Murakami and writer Raymond Briggs
The Jewel in the Crown, based upon the Raj Quartet novels by Paul Scott, is a British television serial about the final days of the British Raj in India during World War II. The story begins with an unjust arrest for rape. The consequences of this echo through the series. Questions of identity and personal responsibility are explored against a background of war and personal intrigue. The series was produced by Granada Television for the ITV network.
John Barton holds a master class in how to play Shakespeare, using members of the RSC doing scenes, sonnets, and commentary as prime examples.
Set during the period of growing influence of the Indian independence movement in the British Raj, the story begins with the arrival in India of a British woman, Miss Adela Quested, who is joining her fiancé, a city magistrate named Ronny Heaslop. She and Ronny's mother, Mrs. Moore, befriend an Indian doctor, Aziz H. Ahmed.
Alfred Allmers has spent his whole life writing a book on "responsibility," a luxury he can afford as a result of his marriage to the wealthy and beautiful Rita. However, much to Rita's annoyance, his attention isn't always undivided toward her, as Alfred shifts his focus between his book, their son Eyolf, and his half-sister Asta. As Allmers slowly feels trapped in an unfulfilling marriage, emotions and a painful past threaten to boil over into a terrible finale.
Past and present intertwine: An elderly couple returns to the hotel where they became close when they were young and flashbacks to the earlier visit reveal the origins of both their pleasures and problems. Somewhere between the past and the present, Dennis Potter attempted to find "the shape of a life, of two lives..."
British playwright Stephen Poliakoff's comical teleplay investigates Europe's changing social landscape via three strangers who meet on a train. Peter (Michael Kitchen), an English businessman on an overnight trip through Europe, shares a compartment with a beautiful American woman, Lorraine (Wendy Raebeck). But Peter's hope for romance is soon dampened by Lorraine's xenophobia and the arrival of a haughty Viennese aristocrat (Peggy Ashcroft).
This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who come to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple—nicknamed Georgie and Bonnie as children by their Scottish governess—they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey), who, in league with the Maharaja’s beautiful sister (Aparna Sen), may be working against them. Amidst the backdrop of lavish tourist entertainments, Christmas parties, fireworks, and even an English ghost, a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.
This film is about a man who committed a terrible crime during war and is now old and somehow sorry for what he did. The story about the preparations for his trial are described from different points of view, also from his.
Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he's also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.
Steve Howard, a British sales executive living in Manchester, England, begins an affair with a young hitchhiker, Elle Patterson, to emotionally get away from his marriage to his wife Francis. But when Elle moves into a room in Steve and Francis's house, he must keep the true nature of his relationship with Elle under wraps at all costs.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
A penniless woman meets a strange girl who insists she is her long-lost mother, and becomes enmeshed in a web of deception, and perhaps madness, in this powerful psychological thriller.
French director Frederic Rossif presents this historical documentary that coincided with the 50th anniversary of the Russian Revolution. Stock footage from both World Wars are included with 30 minutes of new scenes filmed especially for the project. The historical timeline is traced from the time Czar Nicholas II is crowned. The emergence of Lenin, his death in 1924, and the later contributions of Trotsky and Stalin give the viewer a sense of death, betrayal, and ideological devotion to the communist agenda. Rossif effectively uses scenes from the landmark 1929 film The Man With A Movie Camera by celebrated director Dziga Vertov. Rossif researched the film archives from several countries in his meticulous gathering of materials for this timely historical feature.
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.
Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a wealthy landowner, proposes razing the home and cherry orchard and dividing the estate into plots that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.
After leaving a wealthy Belgian family to become a nun, Sister Luke struggles with her devotion to her vows during crisis, disappointment, and World War II.
A young couple become engaged, but enjoy a number of comedic aventures before their wedding day.
During the evacuation of British troops from Dunkirk in 1940, a young woman takes her motorboat to join the flotilla to rescue soldiers and also to search for her husband, a British soldier who was fighting in France and who may be among the troops waiting to be rescued.
Rhodes of Africa is a 1936 British biographical film charting the life of Cecil Rhodes. It was directed by Berthold Viertel and starred Walter Huston, Oskar Homolka, Basil Sydney and Bernard Lee.
Richard Hannay stumbles upon a conspiracy that thrusts him into a hectic chase across the Scottish moors—a chase in which he is both the pursuer and the pursued—as well as into an unexpected romance with the cool Pamela.
This story is based both on a long-standing legend and a play by E. Temple Thurston. Veteran British director Maurice Elvey brought years of experience with theatrical adaptations to the difficult task of filming a movie that spans centuries and strains credulity. Conrad Veidt stars as the Jew who urges Roman authorities to crucify Jesus and release Barabbas. As a punishment, he is condemned by God to wander the Earth for many centuries, enduring innumerable trials and tribulations on several continents.
