Penelope Spheeris
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
A pretty psychiatrist is saved from an accident by a man who, after hitting his head on a rock, believes he is Santa Claus. As she nurses him back to health at her institute, he brings the spirit of Christmas to the hospital.
Ben's fiancée has her heart set on an expensive dream wedding, but her father, Jack, has secretly gambled away all his money. When Ben discovers he has a talent for exotic dancing, Jack pushes him to moonlight as a stripper to finance the wedding.
Aaron Roman (Gores) is a teenager with cerebral palsy who dreams of starring in a big-time action movie. When his father (Mantegna) grants Aaron his wish for his 18th birthday, he experiences the reality a bit hard to manage.
A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.
Brian Cruver, an ambitious 26-year-old lands a job at Enron. As he assimilates to the company's get-rich-quick mantra, spending sprees and wild corporate "gatherings" become the norm. But when Enron files for bankruptcy, Cruver discovers he's just a pawn in a failing game of corporate greed--one that made the rich richer...while the rest lost everything.
Penelope Spheeris presents an amazing chronicle of the travelling musical carnival known as OZZfest, the most successful summer concert tour for the last five years. Complete access to incredible material sends this documentary film into the realm of pure entertainment. Unforgettable moments from zealous religious protesters, outrageous fans and the guys (and girls) backstage provide an insightful view into the soul of white, middle-class America. A stunning and sometimes disturbing glimpse of a cultural movement, this film is sure to be a reference for historians for decades to come. This comment on Middle America skates the line between your worst nightmare and the best time you’ve ever had. Features interviews with, and performances by BLACK SABBATH, SYSTEM OF A DOWN, SLIPKNOT, PRIMUS, ROB ZOMBIE, GODSMACK and more.
Documents the making of BLOOD DOLLS, interviewing members of the cast and crew.
One-time carny, bartender, and married 10 times, director Penelope Spheeris’ mother was an uncommon woman. In this sweet, funny, and moving video portrait, Spheeris gives us a vivid glimpse into the richness of her mother’s life and character. 35mm, color, 11 min. Director: Penelope Spheeris. 1998.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the 'gutter punk' lifestyle of homeless teens in Los Angeles.
When dignified Albert Donnelly runs for Governor, his team moves to keep his slow-witted and klutzy younger brother, Mike, out of the eye of the media. To baby-sit Mike, the campaign assigns sarcastic Steve, who gets the experience of a lifetime when he tries to take Mike out of town during the election.
Spanky, Alfalfa, Buckwheat, and the other characters made famous in the Our Gang shorts of the 1920s and 1930s are brought back to life in this nostalgic children's comedy. When Alfalfa starts to question his devotion to the club's principles after falling for the beautiful nine-year old Darla, the rest of the gang sets out to keep them apart.
Danger Theatre is an American half-hour comedy anthology series for television, produced by Universal Studios and originally aired on the American Fox network in 1993. With two exceptions, each half-hour-long show consisted of two comedy segments, each a spoof of a familiar action/anthology format. The style of the comedy was somewhat similar to that of films like Airplane! and TV shows like Police Squad! Robert Vaughn, most familiar to audiences from his role on The Man from U.N.C.L.E., was the host for each episode, introducing to camera each fifteen-minute segment with mock earnestness. The jokes ranged from humorous or preposterous dialogue to visual gags and slapstick designed to poke fun at the serious dramatic formats being lampooned. Danger Theatre only ran for seven episodes before cancellation, but was syndicated beyond the United States, airing in the United Kingdom on the BBC in 1994.
Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck
When a sleazy TV exec offers Wayne and Garth a fat contract to tape their late-night public access show at his network, they can't believe their good fortune. But they soon discover the road from basement to big-time is a gnarly one, fraught with danger, temptation and ragin' party opportunities.
Documentery from 1991 where The 2 Live Crew, Chuck D (Public Enemy), Too Short, Ice-T, Geto Boys, H.W.A. drop real talk on different topics.
Three novels - three dramatic stories in the walls of the women's prison. The first story - a brand new, first went to prison inmates. The second - about a mother whose son has ceased to go to prison for visits. The third - about the experiences of women on the eve of its release.
An entertaining combination of heavy-metal rockers and female mud wrestlers hosted by Jessica Hahn.
A couple who both work at wedding receptions encounter complications when they decide to marry.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
Documentary about women in the film industry. Interviews with directors, producers, writers, and actors include Karen Arthur, Lizzie Borden, Joyce Chopra, Martha Coolidge, Donna Deitch, Ann Hui, Euzhan Palcy, Agnès Varda, Margarethe von Trotta, Anne Wheeler, Sandy Wilson, Mai Zetterling
At Camp North Pines for Boys, the campers, led by the charismatic Franklin Reilly, stage a revolt against the strict owner, Mr. Warren, and lock him and the rest of the counselors up and take over the camp for themselves. But the revolt soon spirals out of control as the boys also lead a takeover of the nearby girls camp as well. Then, Mr. Warren is accidently killed trying to escape. Soon friction happens between the two boys and girls camps, while one camper, a certain Donald Poultry, tries to get the word out and unseat Franklin as the leader.
Two punks from the big city, traveling across the country in a Volkswagen bug, embrace the western ethos when they must take revenge against a group of rednecks for killing their friend in this lighthearted road movie. Along the way, they enlist the help of a young woman who runs a wrecking service.
A mother goes to Hollywood to find her runaway daughter. She discovers that the girl has become involved in the pornography industry, and goes to the police to get help in finding her.
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trial of bodies behind them. The violence escalates throughout.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Albert Brooks goes to a research institute to find out why people don't like him and how he can change that
Albert Brooks presents a mockumentary in which he presents several shocking news stories
Super mid-season replacements to failed shows in a network's super season.
Albert Brooks introduces himself to the audience through showing them his home movies from childhood & attempts and fails at doing candid-camera style pranks
Albert places an ad in a newspaper expressing a desire to perform a heart bypass & gets to live his dream of being a heart surgeon for one day.
Jared Martin plays an aspiring film maker obsessed with the idea of Christ as a woman, and tries to film his vision with Sondra Locke as his subject. 'Based' on a song by Leonard Cohen.
Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jimmy/Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). 16mm, color, 22 min. Director: Penelope Spheeris. 1972.
A ski instructor tries to teach a bunch of insanely eccentric people how to ski while dealing with everyone wanting his attention.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender man who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising.
Two years before Peter Watkins’ Punishment Park (1971), director Penelope Spheeris takes the McCarran Act to its inevitable next step and shows us—via an early use of mockumentary—what the U.S. might be like if potential subversives were simply locked up en masse before they had a chance to subvert anything. 16mm, color, 12 min. Director: Penelope Spheeris.1969.
Made in an environment and at a time when frequent and gratuitous images of nude women permeated the work of her male counterparts, director Penelope Spheeris produced this intimate and sensual observation of a woman bathing. The appearance of Spheeris’ credit at the beginning of the film seems to ask the question: how does voyeurism change when we know the voyeur is actually a voyeuse? 16mm, b/w, 6 min. Director: Penelope Spheeris.
Shit (1969) Never completely finished during its original production, this snarky comic piece was rediscovered in director Penelope Spheeris’ vaults in 2010 and preserved “as is.” The titular substance plays a key role in determining an outmoded man’s role in a changing society. 16mm, color, 4 min. Director: Penelope Spheeris. 1969.
Synthesis is director Penelope Spheeris' first film, made in 8mm Kodachrome while she was a student at UCLA. In a seemingly near-future control room devoid of people, various readouts and calculations suggest that humankind is not altogether compatible with the grand scheme of the universe. 1968. Color.
A short documentary accompanying the first EP released by Lifers Group, a rap crew that grew out of the Lifers Group Juvenile Awareness Program — a youth crime prevention program founded in East Jersey State Prison in 1976 and made famous by the documentary Scared Straight! Released in 1991 and directed by Penelope Spheeris, the 29-minute documentary was nominated a 1992 Grammy Award for Best Long Form Music Video, but the group's members were disallowed by prison officials from attending the ceremony.
Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.
A video portrait of 2 Live Crew as they fought to release their album "Banned in the USA" during the censorship crisis of the late 80s and early 90s that ultimately resulted in the "PARENTAL ADVISORY EXPLICIT CONTENT" sticker. This 49-minute documentary was directed by Penelope Spheeris.
