Perry Dizon
Set on the eve of a fictional inaugural of the Bangsamoro Government, the film revolves around Daud, a scion of a political dynasty who is reluctant to become a member of the Parliament, and his college buddy Marco, a struggling journalist assigned to cover the inaugural. The duo drive off to the countryside, reminiscing their days as student activists and discovering their deepest longings as hostages of a future they will inherit.
The year is 1999. In a cold sleepy town in the Philippine mountains, Officer Sonny Cruz begins receiving mysterious voyeuristic videotapes of a missing woman who vanished three years prior. As he begins to investigate the tapes with his partner Officer Alice Lagaac, the two regular cops become entangled in a world of mystery, supernatural and the occult.”
In the cold west, Motel Acacia is tasked with exterminating immigrants by the government through a BED, haunted with the spirit of a Filipino tree demon, that eats men and impregnates women. A young Filipino man, JC, is groomed by his tyrannical caucasian Father to take over the business.
Piyo refuses to accept the responsibilities that comes with being the only son of a Datu from the Talaandig Tribe. He defies his destiny and runs away from home to pursue his dreams of freedom only to find himself behind bars when he is mistaken as a rebel.
A filmmaker revisits the town of Tayug, Pangasinan in preparation for a new feature film she is making about the folk hero Pedro Calosa and the Tayug Uprising of 1931. As she revisits the actual sites in Tayug where the infamous uprising had taken place, she imagines scenes in her new film about the subject. As she goes deeper in her research at Tayug, she uncovers the memories of the townspeople about Pedro Calosa and the Tayug Uprising of 1931.
A slice-of-life documentary of the rubber plantation boys in Zamboanga Sibugay. It’s about boyhood journeys and life’s realities told in a free-spirited, yet melancholic manner.
The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.
A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.
Alfad, a Lumad whose soul returns to his homeland to settle unfinished businesses and to finally rest. It is based on the Lumad’s belief that when a person dies his soul goes back to his homeland.
Set in Mindanao, young Faisal, after both his parents were killed due to a ransom kidnapping, carries a bag filled with dollars and attempts to elude soldiers with his 2 new companions Amrayda and Fatima who are also in need of safety as violence and turmoil escalates in their parea.
One morning, residents of a rural village are horrified when the sun rises in the West. According to Islamic belief, this phenomenon signals the Apocalypse. As village folk react differently to the situation, a tragedy strikes when one of the residents is raped and her brother brutally murdered as he tries to avenge her. Steep in superstition, the villagers attribute these to the Devil himself.
The film begins with his capture by Philippine and US forces under Frederick Funston's command in 1901, then flashes back to 1886, when an old woman gives Aguinaldo and his childhood friend Candido Tirona cryptic prophecies. Ten years later, Aguinaldo is inducted into the Katipunan and later assumes leadership of its Cavite chapter while becoming mayor of Cavite El Viejo. When the trouble breaks out in Manila in late August 1896, Aguinaldo tries to assure the Spanish provincial government of non-interference and covertly marshals his forces despite a lack of weapons. Learning that the Spanish mostly put their forces in Manila, Aguinaldo finally mobilizes his troops and take the command of the Katipunan forces in Cavite
An artist struggles to finish his work while a storyline about a cult plays in his head.
Rashid Ali returns to his Maguindanao hometown after studying and working for more than 25 years in Barcelona, Spain. Idealistic, he dreams of using what he learned in Europe to improve the lives of his people. But nothing has changed since he left. Politicians remain corrupt, poverty is widespread, his people desperate.
While on a trip to Thailand, a successful American businessman tries to radically change his life. Back in New York, his wife and daughter find their relationship with their live-in Filipino maid changing around them. At the same time, in the Philippines, the maid's family struggles to deal with her absence.
A story about victims of summary executions. Three people start a strange therapy to escape their agonies.
A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermath of the super typhoon. For the past seven years, Benjamin had been living in an old town called Kaluga in Russia. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process. In Russia, Benjamin was able to shoot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back to bury his dead-father, mother, sister and a lover. He came back to face Mount Mayon, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the Philippines. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers.
A story about three children struggling in a depressed neighborhood with their means of survival arriving from the package given to them by their parents who works abroad.
Beginning at the break of dawn and ending the next morning, the story, set around a rugged city intersection, follows the path of a marked one-thousand-peso bill as it transfers from one character to another, returning to its originator in the end, blood-tainted. The money leads us to each of the five offbeat characters, all in desperate need of their soul's redemption: a disillusioned tabloid reporter planning to commit suicide in a motel, a nightclub dancer con prostitute who has avowed to give her kid sister a better life, a fallen henchman resurfacing to score big time, a chronic runaway teenage girl held captive as sex slave by a cop, and a long-suffering son bearing a sadomasochistic relationship with his brutish, half-paralyzed father who behaves like a mad dictator in his wheelchair.
Ang Huling Araw ng Linggo spans a week in a life of seven individuals with interconnected narratives.
A wandering peddler separates from his fellow salesman and becomes involved with criminals in the jungle.
