Peter Ballance
Set in Belfast against the backdrop of the 1986 World Cup, Shooting for Socrates tells the story of a momentous time in Northern Ireland's football history through the eyes of players, fans and the media. The film also follows the lives of passionate football supporter Arthur and his son Tommy from East Belfast. The lead up to a momentous day in the life of a young boy (his 10th birthday) mirrors the build up to the big day for the Northern Ireland football team as they play the greatest match of their lives.
The dark story of three people who become playthings of the devil: a man, Shawshank, human enough but with a glee for spoiling people’s lives. There’s what looks at first like a normal sexual triangle: a girl, Pumpgirl, who works in the local garage and thinks she’s one of the lads; a freewheeling jack-the-lad, Hammy, who’s in love with no-one but himself; and a woman, Sinead, neglected, lonely, out looking for a joyride of her own. Three people, one night; a night of sex and violence, resulting in consequences - and not just for them alone.
Irish thriller starring Toby Stephens. Belfast of the near future finds the city ruled by two rival law-enforcing punishment squads. When Luke Bradley (Stephens)'s son is found murdered, suspicion falls upon the local preacher (Jim Norton). Taken to Sunset Heights, a druid's circle on a hill overlooking the city, the accused is summarily executed by the boy's father. However, when another child goes missing, it appears that they have killed the wrong man - or that the preacher has come back from the dead to wreak his revenge...
Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning Benoit, a Frenchman and former pen pal of Rosie, whom she never met, comes to visit. Did Rosie love him? Does she love him now?
Belfast 1972: The politically naive Bernie is trying to bring up a normal family in less than normal surroundings. Her best friend is accidentally shot dead by the IRA, and her neighbours are constantly raided by the army. In this climate of fear she stands up and condemns the murders. Criticising both factions, her call for a ceasefire is interpreted as an attack against the IRA, and as her peace movement takes momentum, she and her family are placed in the frontline.
