Peter Blake
A visual history of the significance and impact of the Pop Art movement in the Sixties and beyond.
Timeshift turns back the clock to a time when villains wore silver capes, grannies swooned at the sight of bulky men in latex and the most masculine man in the country was called Shirley. In its heyday, British professional wrestling attracted huge TV audiences and made household names of generations of wrestlers from Mick McManus and Jackie 'Mr TV' Pallo to Giant Haystacks and Big Daddy. With contributions from inside the world of wrestling and surprising fans such as artist Peter Blake, this is an affectionate and lively portrait of a lost era of simpler pleasures, both in and out of the ring.
As an architect, educator, and philosopher, Louis Kahn played a prominent role in the history of 20th century architecture. An examination of six of his most significant buildings: The Salk Institute; the Kimbell Art Museum; the Center for British Art; the library at Philips Exeter Academy; the Indian Institute of Management; and the Parliament Buildings of Bangladesh.
When pop artist Peter Blake confessed that his fantasy was to be the mysterious masked wrestler Kendo Nagasaki, who never speaks and never removes his mask, little did he know what the consequences would be. Poet and television producer Paul Yates, also fascinated by the persona of Nagasaki, read the article and proceeded to research the possibility of Blake painting Nagasaki's portrait as a centrepiece for a film which would also, he hoped, include an exclusive interview with Nagasaki himself. Does he exist outside the ring and, if so, who is he?
Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.
Peter Blake explores his passion for pop icons, Peter Phillips is featured with his cool companions, Derek Boshier voices his concerns with the American influence on British life and culture, and Pauline Boty, Britain's great female pop art painter who was to die only four years later, performs in a short dramatic dream piece.
