Peter Duncan
A captivating drama set in Maralinga, South Australia, at the height of the Cold War. At a remote army base carrying out British nuclear testing, paranoia runs rife and nuclear bombs are not the only things being tested, as loyalty, love, and betrayal are pitted against each other.
In the mould of The Full Monty and Brassed Off, VALENTINE'S DAY is a tale of hope and redemption. Ben Valentine (Rhys Muldoon) has totally lost his way in the world when he finds himself in a strange country town. With a sentence of 200 hours of community service, Valentine must coach the town's 'no-hoper' football team, who are teetering on the brink of demise. If the team don't win three out of the next four games, they'll be merged with their arch rivals and the town will also lose its precious pie factory. Valentine is embraced, heart and soul by the townsfolk. This one-time drifter learns how to live and hope again - and so does the town.
Hell Has Harbour Views is a 2005 Australian television movie starring Matt Day and Lisa McCune. It was written and directed by Peter Duncan, based on the novel of the same name by Richard Beasley. It was nominated for "best miniseries or telemovie" at both the AFI Awards and the Logie Awards, losing to The Incredible Journey of Mary Bryant at both; and for two additional AFI Awards and an additional Logie Award, all of which it lost to Love My Way.
Passion concentrates on Grainger's unusual relationship with his mother and his sexual peculiarities (especially his obsessive self-flagellation, though homosexuality is also hinted at) which affect his relationship with a woman who comes to love him. It is set mainly in London in 1914, when Grainger's mother Rose was ill (she would later jump to her death in New York, upset by ill-founded rumours of incest with her son).
Richard and Kate are former lovers who are now working independently to find the secret of the aging process. Both apply for funding from the Michael Foundation, and are asked to spend the weekend discussing the proposals with the Head of the Foundation, who happens to be married to the Australian Treasurer. They have a very interesting weekend.
A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.
