Peter Dvorsky
It's a cold and stormy night, and in a house in rural Vermont, midwife Sibyl Danforth is, together with the father and an assistant, in the middle of a homebirth. As time passes, the woman in labor meets with difficulties and Sibyl concludes that it would be preferable for the woman to deliver her baby in the hospital. Though a dead telephone line and bad weather prevents Sibyl from going anywhere. Black ice and a persisten snowstorm makes transportation an impossibility. Early in the morning, the woman dies from what they believe to be a stroke and in all the chaos, Sibyl promptly decides to do a C-section to save the baby. The baby survives, but the mother is dead and tragedy is obvious. Yet, it's only going to get worse for Sibyl as her assistant is certain that the woman was still alive when Sibyl performed the C-section. Sibyl is charged with manslaughter, brought before the court and her life is and will forever be changed.
A New York detective (Richard Crenna) tracks a serial killer who injects his victims with poison at Grand Central Station.
An investigator seeking the cause of an airline disaster discovers the involvement of an organisation of time travellers from a future Earth irreparably polluted who seek to rejuvenate the human race from those about to die in the past. Based on a novel by John Varley.
Julius and Vincent Benedict are the results of an experiment that would allow for the perfect child. Julius was planned and grows to athletic proportions. Vincent is an accident and is somewhat smaller in stature. Vincent is placed in an orphanage while Julius is taken to a south seas island and raised by philosophers. Vincent becomes the ultimate low life and is about to be killed by loan sharks.
Teenager Amy Halloran’s mother is killed in a car crash while going to meet her sister Felice, a top fashion model. Not long after, Amy’s father meets Felice at the graveside and invites her to move in. Amy develops a dislike of Felice, particularly after she seduces her father. She comes to believe that Felice is using African magic to kill off her friends and is now trying to possess her.
Two girls go away to a holiday resort looking for a change of pace, hoping to meet some nice men for a change. They discover that they can't find the perfect man, and this forces them to reconsider their attitudes to men in general.
Chronicles a Mossad team hand picked to hunt down the terrorists involved in the 1972 Munich Olympic massacre of Israeli athletes.
A Vietnam vet takes forceful control of Central Park to remember those who served and died in the Vietnam War.
A Canadian artist turned diamond merchant in Vienna, Austria risks his life to smuggle Jews out of the Third Reich.
Set in the "not-so-distant future", the crew of an international space station are set to return triumphantly to Earth, until someone starts killing the other crew members.
Letting Go stars John Ritter as a widower and Sharon Gless as a lonely unmarried woman. They meet during a group-therapy session. Romance is inevitable, but the road to true happiness is pockmarked by a series of comic complications. Advertised as a straight romantic drama, Letting Go is actually more akin to the screwball comedies of the 1930s, with a strong satirical bent regarding "behavior modification" theories. The made-for-TV film debuted May 11, 1985.
Johnny Smith is a schoolteacher with his whole life ahead of him but, after leaving his fiancee's home one night, is involved in a car crash which leaves him in a coma for 5 years. When he wakes, he discovers he has an ability to see into the past, present and future life of anyone with whom he comes into physical contact.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
William Saroyan's Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other's lives, giving voice to Saroyan's philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty. Saroyan himself is heard reciting the play's prologue.
