Peter Jones
A nostalgic and colorful peek behind the pages and personalities of International Male, one of the most ubiquitous and sought-after mail-order catalogs of the 80s and 90s.
For generations Harrison Gray Otis and the Chandler family used their newspaper, the Los Angeles Times, to wield great power over the City of Angels. This documentary chronicles the secretive clan's role in LA politics, public works and more. A comprehensive look at four generations' contributions to the growth of the town, director Peter Jones's film offers plenty of insight for fans of history, journalism and Southern California.
A standard biography of the famed actress recounting her childhood, early films and her rise to stardom. Her father abandoned the family when she was quite young and she remained close to her domineering mother. As she became more popular she had many fights with Jack Warner, the head of Warner Brothers studio, but eventually managed to exert greater control over her career. She was nominated for several Oscars. Her private life life included several failed marriages and she was deeply hurt when her daughter, who was her closest companion for several years, wrote a tell-all and unflattering memoir of her life.
The life and work of Samuel Goldwyn, a Polish-born glove salesman who became one of Hollywood's greatest independent producers, is remembered in this classy documentary created for the PBS American Masters series. Based on A. Scott Berg's acclaimed biography, the film includes new interviews with Goldwyn's surviving family members as well as vintage interviews with such luminaries as Bette Davis, John Huston, Laurence Olivier and others.
The history of color photography in motion pictures, in particular the Technicolor company's work.
A biographical documentary about the great British actor and director Charlie Chaplin (1889-1977), from rags to riches, from the slums of London to glory.
This documentary celebrates the ridiculous stunts used by Hollywood over the years to market its worst movies. These include the ’50s drive-in where moviegoers could drop off their dirty laundry and pick it up after the show, horror filmmaker William Castle’s vibrating seats and producer Sam Arkoff’s offer to pay for the funeral of anyone scared to death by his film. Amusing interviews with critic Roger Ebert and director John Waters, creator of Smell-O-Vision, enliven a program that has one central failing: host Frankie Avalon, who remains as schlocky as ever.
