Peter Kern
Vienna's high society parties with sex, drugs, alcohol and young models. Hanna von Stezewitz stands in the center of it all. She's young, attractive and rich, head of a corporate group and one of Vienna's most important financers.
When 82-year-old Mary takes her 63-year-old disabled son on a houseboat vacation on Lake Lychen in Brandenburg, things quickly go south as the boat becomes a prison, trapping them within the difficult emotional web of their relationship.
Meet Jerry, an obsessive but frustrated director who decides to turn his back on the theatre in favour of a controversial new project. But things soon start to go wrong. As he struggles with the demands of his role as leader, he is plagued by surreal dreams conjured up by his guilty conscience. Monkey Sandwich is a portmanteau film with a captivating tangle of stories involving the search for an unborn child, a disturbing hunting trip, a haunted LP, a screaming piglet and a river gone rogue. The stories in Monkey Sandwich are urban myths or stories created with or by the actors. The film was originally part of a stage performance of the same name.
Documentary about the current hustler scene in Berlin. Experienced its world premiere of the film at the 2011 Berlin International Film Festival in Berlin. Based on interviews with former and active prostitutes the realities of male prostitutes in Berlin are treated. The film is value-free, objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.
16-year old Axel and his clique are rioting in a residential home. There he meets the 80-year old Gustav who gains interest in the young boy, as he reminds him of his lost love.
Claire, Romy, Magali, Loete, and Jim are typical Brienen’s characters: their excessive lifestyle rhythmed by sex and drugs puts them in the margins of society, refusing to believe in love or any kind of happiness. Lacking a better alternative, they take a trip to Berlin to perform in their own erotic-trash show. But in Berlin, trouble only begins. Styled images of lost souls straying through the night and their humide debaucheries transport us into an universe of the abject where all moral limits are eliminated by the character’s insatiable bulimia.
Samson sells a magazine on the streets of Düsseldorf called "Fifty-Fifty". Half the proceeds from each sale go to the magazine's homeless seller. It is the run-up to Christmas and his presence is far from welcome inside the posh new department store, 'Sevens', on Düsseldorf's upmarket shopping street, the "Kö".No sooner does he enter the store than he is shown the door again. Outside in the open air, the chilliest, darkest places await him. His is a fate that has become a commonplace occurrence; it is documented in this film without sentimentality or self-pity.
A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
Anna and Lisa, two young women, meet by chance in the vestibule of a bank, and decide after that to go on together leaving a successful trail of bank-robberies through Germany.
Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...
170 kg Vienna. This chaotic-autobiographical video treaty has only one content: the homosexuality and the weight problems of its author.
A complex and enigmatic plot that evokes the life of Bachmann. The story develops around an unusual triangular relationship, a threesome between a woman of unknown name, a man named Malina and a Hungarian, Ivan, with whom she falls in love. Ivan will be his last great love, but their need for exclusivity in love is so strong that it can not be understood or matched. Malina is a struggle, a confrontation between two worlds strange and hostile.
Axel is 14 years old, male prostitute, living in Düsseldorf. His mother drinks and her friends abuses him. He is sent to a bar to pick up customers. There he meets Karl-Heinz, and a loving relationship begins.
A decadent Cabaret in Hamburg (Germany) is near closing down. The owner decides to make a last effort to save the place: produce a male striptease show. Many candidates answer to his newspaper ad. No matter how weird were the rehearsals, the owner would have no regrets.
A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.
A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.
Denmark, by the end of the 19th century. Gov. Dihmer gives his resignation because of his illness. Two friends, a pastor and a physician, try to awaken his willpower and transcend a journey to Italy. Meanwhile, in the homeland, there are political breakthroughs that make little hope for new times.
A women's prison on a tropical island is a hellhole where the inmates are raped, tortured and otherwise abused by the evil commandant and brutal guards. However, one of the guards falls in love with a beautiful inmate, and decides to help her and all the other prisoners escape.
This film of a glitzy showbiz world by director Peter Keglevic in his first feature-length effort recounts the saga of a married torch singer whose numerous lovers are meant to steady her nerves and a saxophone player who loves her but cannot get his own act together. Singing and cinematography are pluses.
Film extras take possession of a bogus film production company and acting as ideal world of film to persuade one associates mother-in-law of marriage.
The leader of a right-wing German political party discovers that an illiterate woodcarver is actually the son of Adolf Hitler.
Germany in the early 1930s. Against the backdrop of the Nazis' rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.
When Peter Huber the proprietor of a Bavarian corner newsstand, wins a free trip to New York City in a magazine contest, he is overjoyed. Filled with romantic ideas from the movies, his actual encounter with the gritty realities of the Big Apple are sobering. Nonetheless, he is in for the adventure of his life. First, he meets Karola Faber, the German wife of a U.S. G.I. who has found life in the States not all it's cracked up to be: she has left her husband and makes her living through prostitution. Peter and Karola visit the local German emigré community's Oktoberfest, and win the festival's King and Queen crown. Their prize is a cow, which accompanies them on their further journeys in New York City.
Pascale, married to an architect, misses her flight to London and is forced to stay in Berlin, at the Kleinhoff Hotel where she stayed as a student. Karl, a would-be revolutionary lives in the adjoining room and Pascale spies him and his ex-girl-friend through a hole. Then she follows him to a questionable place where she is arrested by the police during a revolutionists raid. When she returns to the Kleinhoff Hotel, Pascale finds Karl crying, and enters his room to console him and they have a love affair.
Documentary film that examines the rise and fall of the Third Reich, incorporating puppetry, rear-screen projection, and a Wagnerian score into a singular epic vision. The director, who grew up under Nazi tyranny, ruminates on good and evil and the rest of humanity's complicity in the horrors of the holocaust.
The story follows the life of a regular German women Leni Gruyten during the 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.
The lackluster and plodding Bolweiser has the (mis)fortune to be married to the town's siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.
Consul Werle holds a reception in honour of the homecoming of his son Gregers. At the reception, Gregers meets his childhood friend, Hjalmar Ekdal, who is married to Gina, a former maid of the Werle family. Hjalmar is unaware that Werle had an affair with Gina and that their 14-year-old daughter Hedwig is not his child. Gregers moves in with the Ekdals with the intention of allowing unsuspecting Hjalmar and his family to share in the "happiness of truth". Hedwig is entirely devoted to a wild duck, which lives on a pond outside their house. When Hjalmar learns the truth about his daughter, he wants to leave his family. Gregers advises Hedwig to kill the wild duck so that her father, impressed by this sacrifice, will return home. On the following day, Hedwig's birthday, she doesn't shoot the duck, but shoots herself instead.
After her husband kills his boss and himself, Mother Kusters becomes drawn into the activities of the German Communist party and then a group of anarchists.
Six days in the life of Wilhelm: a detached man without qualities. He wants to write, so his mother gives him a ticket to Bonn, telling him to live. On the train he meets an older man, an athlete in the 1936 Olympics, and his mute teen companion, Mignon. She's an acrobat in market squares for spare change.
Fox, a former circus performer, wins the lottery of DM 500,000 and can now have the life and things that he has always wanted. While he wants to climb up the social ladder, it isn't without turmoil, and being torn between his old working class roots, and the shiny new facade of middle class consciousness.
This ethereal, three-hour biopic is the middle film in Hans-Jürgen Syberberg’s “German Trilogy” on the mythological foundations of the Third Reich. By fusing theater, music, and cinema, Syberberg conjures up Karl May (1842-1912), the immensely popular German author, who set many of his adventure novels in an idealized version of the American Wild West. His tales of the cowboy and the Ubermensch alike were beloved by many, including (Our) Hitler, who supposedly ordered his generals to read May works after defeats in the Russian campaign.
Cybernetics engineer Fred Stiller uncovers a massive corporate conspiracy involving a virtual reality computer project.
Reflected in an artificial and bombastically staged illusory world with Wagnerian compositions, glossy and satirical time references, 19th century German figures and traditions are stripped of their mythology and interpreted by the Germany of 1972.
Satire on 19th-century class relations and thinly veiled commentary on the failure of the 1968 political revolution.
The true story of Adele Spitzeder, who started her own private bank in 1870s Bavaria by promising everyone that gave her money high interest rates. Initially dubbed the "Angel of the poor", she was arrested for fraud after the whole scheme collapsed.
Zbynek Brynych's forgotten masterpiece "Oh Happy Day" is best described as coming-of-age-psychedelia.
