Peter Märthesheimer

Successful architect Robert has a one-night stand with a mysterious lady in red. The next day they meet again, but Carolin is now a corporate lawyer working on a major contract for Robert ...

5.2/10

Peter Märthesheimer was a producer at Cologne’s public TV station, Westdeutscher Rundfunk, when he met Rainer Werner Fassbinder in 1972. He later worked with Fassbinder on DESPAIR and BERLIN ALEXANDERPLATZ, and, with psychologist Pea Fröhlich, wrote the scripts for LOLA and the other films in THE BRD TRILOGY. This interview was conducted in 2003.

A documentary about the life and work of director Rainer Werner Fassbinder.

7.2/10

A woman with a steady marriage and a little daughter, goes bezerk and enters a seducing game.

5.3/10

A tough cop but his life in ruins. His superiors are only looking for a reason to sack him. The girl is 17 years old and lives on the street. As the cop helps her one night, she steals his gun and flees. He should report the loss of his gun to his boss, so he has to search for the girl. At the Dutch border it falls into the power of the police! Henceforth they are on the run, without a plan and without a goal ..

5.8/10

In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.

7.8/10
7.5%

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

7.5/10
10%

Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.

7.8/10
9.2%

Germany in the early 1930s. Against the backdrop of the Nazis' rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.

7.1/10
6.5%

The story of the young man Peter, who grew up during the economic miracle, bereft of parental care and love. Learning early on that interpersonal relationships are based on the principles of exchange or purchase, he abides by these rules and gives generous presents to his family and his wife Erika. But when he is unable to keep up this life-style, his story takes a horrendous turn ...

7.8/10
10%

After having her second child, a German housewife suffers from post-partum depression before inexplicably falling into a continually misdiagnosed mental state, befuddling her relatives.

7.6/10

After the death of her abusive father, the lonely librarian Martha marries an equally vile businessman - Helmut.

7.6/10
8.6%

No overview found.

6.7/10

A candidate in a game show is hunted by three men. He will get a Million DMark, if he survives for a week; the hunters will get the money, if they can kill the candidate. The audience of the show is watching the transmissions of twenty camera teams filming the hunt. The showmaster appeals to the TV-viewers to help either the candidate or the hunters, whomever they want.

7.8/10

The story of a miner's wife in the Ruhr area, and the story of 40 years of a worker's life in Germany. The biographical film acknowledges the proletarian tradition and is considered to be one of the most important documentary films of the late 60s that tried to combine the private sphere with the reality of society. The film's fascination lies, above all, in the personal charisma of the miner's widow from Duisburg. She knows how to tell the story in a vivacious and exciting way.