Peter Sellars

Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any simple operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost dematerialised setting bared of all earthly contingencies whilst Bill Viola presents the lovers’ initiatory quest for nirvana in videos detached from the stage, suspended like altarpieces.

Franco Zefirelli passed away on 15th June 2019. Chris Hunt's biography explores how Zeffirelli's sense of drama was born out of his own experience and how his life inspired his productions. Chris Hunt interviewed him and other famous actors, friends and associates, had a camera at Zefirelli's 94th birthday and during the opening of his foundation in Florence. This documentary, including clips from operas, films and plays aims to be the definitive portrait of a Renaissance man larger than life.

How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.

This DVD and Blu-ray derive from the world premiere performances, at the Dutch National Opera in 2016, of Only the Sound Remains, a Japanese-inspired double bill by Kaija Saariaho. Her first opera, L’Amour de loin, has captivated audiences around the world, and she composed Only the Sound Remains with the ethereal tones of Philippe Jaroussky in mind. Appropriately, the French countertenor plays two supernatural characters, an angel and a ghost. The fisherman and priest who encounter them are both sung by baritone Davone Tines, while the production is the work of the celebrated director Peter Sellars.

Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

Iolanta is a one act lyric opera, sung in Russian, by Tchaikovsky. Performed in the style of a nineteenth-century Italian melodrama, the scenes have a recitative introduction followed by a single arioso, aria, duet or chorus. Persephone is a three act melodrama, sung in French, by Stravinsky. It is a story of regeneration, symbolised in Sellars use of dancers from the Cambodian dance company, Amrita Performing Arts. Peter Sellars, one of the most innovative creators on today's stage, has linked these two productions by using the same stage setting, instantly archaic yet modern, and lit by rich colours to define the journey from darkness to light.

John Adams’s groundbreaking work vividly brings to life President Nixon’s 1972 visit to communist China. Peter Sellars’s Met production, based on his 1987 world-premiere staging, features choreography by Mark Morris and stars James Maddalena as Nixon, Robert Brubaker as Chairman Mao, Janis Kelly as First Lady Pat Nixon, Russell Braun as Chinese Premier Chou En-lai, and Kathleen Kim as Chiang Ch’ing, Mao’s wife. From the pomp of the public displays to the intimacy of the protagonists most private moments, Adams, Sellars, and librettist Alice Goodman reveal the real characters behind the headlines in this landmark American opera.

Sir Simon Rattle was in no doubt: the performance of the St Matthew Passion which he realised together with the Berliner Philharmoniker and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here”. Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kožená, Christian Gerhaher, Thomas Quasthoff and Mark Padmore as the Evangelist.

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

This is an opera by the contemporary American composer John Adams, with libretto by Peter Sellars. It premiered at the San Francisco Opera on October 1, 2005. The work focuses on the great stress and anxiety experienced by those at Los Alamos while the test of the first atomic bomb (the "Trinity" test) was being prepared. A documentary was made about the creation of the opera, titled Wonders Are Many (2007).

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.

A four-hour plus video production inspired by Richard Wagner's oeuvre "Tristan und Isolde" and projected during the opera premiere in Paris, in partnership with Peter Sellars as artistic collaborator, and conductor Esa-Pekka Salonen.

Follow Alice Waters through a year of shopping and cooking, and discover the vision of an artist and advocate, who has taken her gift for food and turned it into consciousness about the environment, nutrition and a device for social change.

Peer into the world of contemporary composer John Adams with this documentary that blends performance footage with insightful interviews and commentary from his collaborators and the master himself. Highlights include performances of Adams's Grammy Award-winning operas "Nixon in China" and "El Niño" and excerpts from Penny Woolcock's film adaptation of "The Death of Klinghoffer." Works by Steve Reich and Conlon Nancarrow are also performed by the Ensemble InterContemporain at the Théâtre Musical de Paris-Châtelet.

Headlined by Dawn Upshaw, Lorraine Hunt Lieberson and Willard White and orchestrated by the Berlin German Symphony Orchestra, this Nativity oratorio from composer John Adams tells the magical story of the birth of Christ. Conducted by renowned maestro Kent Nagano, this moving experience draws on both Old World and New World sources to re-create this influential story, highlighted by Adams’s trademark minimalism and melody.

The Peter Sellars production of Handel's "Theodora", recorded live at the Glyndebourne Festival in May 1996. Dawn Upshaw stars as Theodora, with David Daniels as Didymus, Lorraine Hunt Lieberson as Irene, Richard Croft as Septimius, and Frode Olsen as Valens. William Christie conducts the Orchestra of the Age of Enlightenment.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.

Though performed in the original Italian, Peter Sellars' production of Cosi fan tutte relocates Mozart's comedy of love to the neon-and-chrome glare of a seaside diner, mirroring the turbulent world of late-twentieth-century America.

Peter Sellars production relocates Mozart's dramatic morality tale to the dark streets of Harlem. The twin Perry brothers play Leporello and Don Giovanni

This special program gives viewers a revealing look at Sellar's controversial productions of Mozart's Don Giovanni, Marriage of Figaro and Cosi Fan Tutte.

Director Peter Sellars helms this provocative adaptation of George Frideric Handel's opera "Giulio Cesare," sung in the original Italian by soprano Susan Larson (who plays Cleopatra) and countertenor Jeffrey Gall (in the role of Julius Caesar) but set in a very different locale: a futuristic Middle East. Sellars personally wrote the English subtitles included in this version to match the tone he intended for his vision.

A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.