Phie Ambo
In 2019, thousands of Danish children and youths took to the streets. They stayed away from school to demonstrate for the climate, mobilise their parents and grandparents, and demand action – now! When elections were called later the same year, it was clear that green climate policies attracted voters, and suddenly the climate was at the top of the political agenda. ‘70⁄30’ portrays the creation of one of the world’s most ambitious climate laws, with the goal of reducing Denmark’s CO2 emissions by 70% by 2030. But will the politicians, citizens and industry be able to come together to make Denmark a green pioneer? Or will the election promises and green ambitions crumble when the new climate law is faced with reality?
A group of children develop the possible society of the future on an overgrown building site in a deeply democratic film, which gives nature a voice.
Have you ever known who was calling before you answered the phone, or felt you were being watched while in an empty room? Is it possible to exist across multiple worlds simultaneously? When her young daughter insists she’s sometimes human and sometimes an animal, filmmaker Phie Ambo wonders what else might exist outside a singular human consciousness. Committing to the principal of randomness, she plumbs the minds of various leading thinkers, from the father of string theory to a Buddhist monk, from a clairvoyant to a janitor. Just as impressive as their fascinating ideas, however, is the visual correlative of this ever-deepening metaphysical query. Who would expect the mysteries of existence to lurk inside the grease trap at an amusement park or in a single cup of tap water? Prepare to have your reality permanently altered by this mind-boggling, impossible and thoroughly compelling film.
Niels Stokholm is one of the most idealistic farmers in Denmark. He runs the biodynamic farm with his wife, Rita, and from their farm, Thorshøjgaard, they distribute products to some of the best restaurants in the world.But not everyone is equally fond of Thorshøjgaard and their holistic methods. Authorities and bureaucracy threaten to close down the farm. Phie Ambo follows their struggle to make sure that they are not the last to do agriculture the way they do, but some of the first.
Brain scientist Professor Richard Davidson sets up his mind to conduct an unusual experiment: He will teach American war veterans and children meditation and yoga. Can veterans through meditation and yoga ease their pain and nervous system, find happiness and be more peaceful and get back to a life more like the one they had before the war?
The film is a collection of one-minute short films created by 60 filmmakers from around the world on the theme of the death of cinema.
The grass is greener than green, the flowers in the backyards are bright and blooming, and the many fences have a fresh coat of paint. These are the private paradises in which the Danes in The Home Front live. But wait a minute - is that a dog barking? Is that gardener peeking over the fence, and are the branches he's trimming falling on the right side? The smallest trifle in the world can send neighbors who once merrily drank beer together into arguments that last years. But when the distrust is so thick you can cut it with a knife, there's still hope. In order to help the desperate parties, the Danish government came up with the Fence Committee, an institution that mediates and makes binding decisions when necessary.
"Mechanical Love" is a documentary on the interrelationship between robots and humans. The film portrays people who have a close relationship with a robot, and it takes us from the high temple of robot technology, Tokyo, Japan, to Braunschweig, Germany, to Italy and back to Copenhagen, Denmark. By this world tour director Phie Ambo seeks to highlight the human need for love and our craving to be loved by others - perhaps the two most important aspects of life. Through the main characters, she examines the cultural differences in how we accept emotional robots in the East and the West.
10 short documentaries which form a presentation of Denmark as part of a dialogue project in the wake of the Muhammed drawings. 10 reputable Danish filmmakers are invited to create 10 presentations of Denmark, in collaboration with second-generation immigrants with roots in the Middle East. Each film is shaped as this person's personal application to a relative or acquaintance in the Middle East. The assignment is: Give an important statement about your Denmark, with the intention of challenging and differentiating the image your relative or acquaintance has of Denmark. The strength of the films is in insight and reflection, rather than the dramatic news approach and is communicated through the personal approach to the subject. The 10 films are joined together into one film (duration 58:30 mins), and this film will be a quick and intense contribution to the debate following the publication of the Muhammed drawings.
